Say oui to this thoughtful and intelligent story of outsiders rising up.
A gloriously feminist, fat-positive romp translated from the French.
After school bullies name them the gold, silver, and bronze winners respectively in the annual Pig Pageant on social media, Astrid Blomvall, Hakima Idriss, and Mireille Laplanche are battered but unbowed. The three girls concoct a plan to cycle to Paris in time for the Bastille Day celebration, where each will fulfill a personal dream. Mireille is eager to meet her biological father, a philosophy professor who is married to the French president and does not know she exists. Hakima, whose brother, Kader, lost his legs fighting for France in a desert war and who serves as the girls’ chaperone on their weeklong journey, would like to confront the general who has not given him credit for his brave sacrifice. Astrid, meanwhile, would like to meet Indochine, her favorite band, who will be performing at the garden party and whose music has given her the strength to persevere in the face of hardship. The four misfits become national celebrities as France rallies around their cause. Respecting the ability of teen readers to interpret challenging material without having lessons spelled out for them, the work is a mixture of righteous fury and light, witty banter. Addressing racism (the Idriss family are Muslim immigrants), misogyny, and fat-phobia, the story is a refreshing and empowering coming-of-age tale.
Say oui to this thoughtful and intelligent story of outsiders rising up. (Fiction. 12-18)Pub Date: Aug. 8, 2017
ISBN: 978-1-78269-120-4
Page Count: 289
Publisher: Pushkin Children’s Books
Review Posted Online: Feb. 16, 2019
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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