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HOW DO YOU KNOW WHAT'S RIGHT?

THINKING, DECIDING, AND PERSUADING

An impressively thoughtful and detailed analysis of the ways in which moral structures originate and evolve.

A wide-ranging guidebook for moral thinking.

As lawyer and legal adviser Stromberg points out in this nonfiction book, humans almost certainly have an innate capacity for morality, but they differ (sometimes drastically) on moral rules. These strictures develop in response to specific local conditions, a dynamic the author likens to the way that proximity to navigable water gives rise to a wide variety of different boat designs. If we focus too much on the variations in human moral structures, Stromberg contends, “we can fail to appreciate the strong cross-cultural patterns of respect for core moral principles.” The author references a large array of ancient texts, philosophical traditions, and various ethicists (the book has extensive endnotes and a generous bibliography) to isolate some of those core principles. He cites ethicists Tom Beauchamp and James Childress, for instance, on the basics of strong moral systems, which include clarity, internal consistency, simplicity, explanatory power, and “output power” (the potential to change a person’s principles). He studies the systems of thinkers such as Kant and Hume and delves into such well-known concepts as utilitarianism (“seeking the greatest good for the greatest number of people”). In a series of densely packed chapters replete with plenty of quotes from the source materials under discussion, Stromberg leads readers through the finer points of half a dozen moral systems. This overview also includes looks at political morality—the author notes, for example, that in the United States’ take on democracy, the system was organized to reject utilitarian principles, affirming individual rights regardless of the collective good (“Even groups hated by the vast majority of people have the right to peaceful protest and speech,” he writes). This discussion of the philosophical underpinnings of historical American society is one of the book’s most engaging sections.

Stromberg is intriguingly direct when examining the broad topic of civil responsibilities, as when he asks, “What does our country have the right to expect of us as the fair price for all our benefits?” He’s likewise very strong on the central tenets of some of the most influential philosophical systems, as when he posits that “a loyal Kantian who wants to follow fixed rules that are moral in all situations would need to fashion a very detailed, complex moral playbook” (adding bluntly, “that is not practical in everyday life”). This cleareyed candor runs throughout the book, transforming what might otherwise have been a series of well-written but arid philosophical musings into something that feels much more like a vital discussion. The author’s skill in using extended hypotheticals and other dramatizing tactics is the saving grace of many of these discussions, particularly when he’s making fine distinctions between, for instance, morality, custom, and strict legality. Stromberg is careful to caution readers that what seem like moral judgments can often be blurred with simple societal norms (quoting Mark Twain: “Laws are sand; Customs are rock”) or even personal preferences. Thanks to the comprehensiveness of this work, readers will find illumination in virtually every chapter, regardless of their previous exposure to this kind of comparative morality. Throughout, Stromberg adopts the persona of a kindly, knowledgeable guide, seeking not just to inform his readers, but also to help them clarify their own moral systems.

An impressively thoughtful and detailed analysis of the ways in which moral structures originate and evolve.

Pub Date: May 12, 2026

ISBN: 9781953943767

Page Count: 392

Publisher: Rivertowns Books

Review Posted Online: April 4, 2026

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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