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SAHARA

Not since Treasure (1988), when Dirk Pitt discovered Cleopatra's barge in Texas (or was it on the Mississippi Delta?), has Cussler come up with so far-fetched a story as this herein, the tenth Pitt novel. The plot begins with a Confederate ironclad, the Texas, outrunning a Union blockade while carrying on board not only the South's treasury but also the North's kidnapped president. Then, in 1931, world-famed aviatrix Kitty Mannock (an Amelia Earhart clone) vanishes on a flight over the Sahara, her plane or body never seen again. Then comes Dirk Pitt's 1996 search through the Nile bottom (via image-making computerized sonar) for the lost barge of a pharaoh dead some 2500 years. Dirk locates the barge under many meters of silt; but before he can even make the Egyptian authorities aware of the find, he's reassigned by the National Underwater and Marine Agency to investigate the source of poisons that are killing coral and creating a red tide on such a massive scale that the world's oxygen supply will soon shrink to an unlivable level if the horror can't be reversed. Dirk rescues from assassination and falls for beautiful Eva Rojas of the World Health Organization, who is in Africa to find the source of the fatal plague now turning thousands of natives into bands of frenzied cannibals who'll eat anything human and are fearless of gunfire. Whence this malignancy? As Pitt discovers, the country of Mall—backed by a ruthless French industrialist—is in the solar nuclear waste disposal business, but the bad guys have poisoned the water table with their inept methods and befouling of the Niger. How does this tie in with Kitty Mannock's desert crash and her discovery of the Texas buried in the Sahara sands? And whose well-preserved, noble-featured body does Pitt find seated in a rocking chair in the ironclad? His initials are A.L.... For the faithful.

Pub Date: June 1, 1992

ISBN: 1439135681

Page Count: 412

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1992

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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PLEASE SEE US

A lyrical, incisive, and haunting debut.

In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.

They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.

A lyrical, incisive, and haunting debut.

Pub Date: March 3, 2020

ISBN: 978-1-9821-2748-0

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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