Classic Cussler, offering action in an interesting setting.
Cussler and company add to his fifth series, following the handsome young investigator Isaac Bell as he goes solo for the first time on a case for the Van Dorn Detective Agency.
The year is 1902, and Bell is undercover in West Virginia investigating sabotage in a mine owned by ruthless John "Black Jack" Gleason, owner of the Gleason Consolidated Coal & Coke Company. The tall, blond-haired Bell stands out among hard-worn immigrant mining crews, all the more so since he is nearly killed while attempting to stop a runaway train of tipple cars. Cussler and Scott dig up interesting historical scene-setting factoids, including references to esoteric classic automobiles, Pittsburgh’s posh Duquesne Club, and the history of massacres and brutal strikebreaking as unions begin to organize. The action shifts from the dangerous depths of a coal mine to Wall Street, to a confrontation in a tunnel being dug for the New York subway and to a riverboat battle between two paddle-wheelers. There are deft characterizations—Bell’s detective crew, Kisley and Fulton, explosives and muscle; Wish Clarke, a "crack sleuth" occasionally in the bottle; Bell’s nemesis, Henry Clay, illegitimate offspring of a bohemian artist, rejected Van Dorn protégé and now an amoral double agent; Jim Higgins, pacifist union organizer, and his beautiful, firebrand radical sister, Mary; and Archibald Angel Abbott IV, master of disguise—and the requisite hard-boiled dialogue like, "[You’ll] be waiting in Hell for the next batch to come down and tell you who was laughing. Drop 'em and elevate!" Clay morphs into Claggart, agent provocateur allied with nefarious monopolist manipulator Judge James Congdon, and Bell ricochets from West Virginia to Pittsburgh, New York City and Cincinnati, leaving in his wake gun battles, knife fights and explosions—it helps that he’s heir to a Boston banking fortune, has friends with private railcars and need not rely on expense accounting—working to prevent Clay-Claggart-Congdon from instigating a war that will wipe out striking miners and their families.
Classic Cussler, offering action in an interesting setting.Pub Date: March 5, 2013
ISBN: 978-0-399-16177-3
Page Count: 384
Publisher: Putnam
Review Posted Online: Jan. 20, 2013
Kirkus Reviews Issue: Feb. 1, 2013
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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