Classic Cussler, offering action in an interesting setting.
Cussler and company add to his fifth series, following the handsome young investigator Isaac Bell as he goes solo for the first time on a case for the Van Dorn Detective Agency.
The year is 1902, and Bell is undercover in West Virginia investigating sabotage in a mine owned by ruthless John "Black Jack" Gleason, owner of the Gleason Consolidated Coal & Coke Company. The tall, blond-haired Bell stands out among hard-worn immigrant mining crews, all the more so since he is nearly killed while attempting to stop a runaway train of tipple cars. Cussler and Scott dig up interesting historical scene-setting factoids, including references to esoteric classic automobiles, Pittsburgh’s posh Duquesne Club, and the history of massacres and brutal strikebreaking as unions begin to organize. The action shifts from the dangerous depths of a coal mine to Wall Street, to a confrontation in a tunnel being dug for the New York subway and to a riverboat battle between two paddle-wheelers. There are deft characterizations—Bell’s detective crew, Kisley and Fulton, explosives and muscle; Wish Clarke, a "crack sleuth" occasionally in the bottle; Bell’s nemesis, Henry Clay, illegitimate offspring of a bohemian artist, rejected Van Dorn protégé and now an amoral double agent; Jim Higgins, pacifist union organizer, and his beautiful, firebrand radical sister, Mary; and Archibald Angel Abbott IV, master of disguise—and the requisite hard-boiled dialogue like, "[You’ll] be waiting in Hell for the next batch to come down and tell you who was laughing. Drop 'em and elevate!" Clay morphs into Claggart, agent provocateur allied with nefarious monopolist manipulator Judge James Congdon, and Bell ricochets from West Virginia to Pittsburgh, New York City and Cincinnati, leaving in his wake gun battles, knife fights and explosions—it helps that he’s heir to a Boston banking fortune, has friends with private railcars and need not rely on expense accounting—working to prevent Clay-Claggart-Congdon from instigating a war that will wipe out striking miners and their families.
Classic Cussler, offering action in an interesting setting.Pub Date: March 5, 2013
ISBN: 978-0-399-16177-3
Page Count: 384
Publisher: Putnam
Review Posted Online: Jan. 20, 2013
Kirkus Reviews Issue: Feb. 1, 2013
Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.
The latest maritime thriller in the NUMA series starring Kurt Austin (The Rising Sea, 2018, etc.)
In 1968, the French submarine Minerve sinks without a trace in the Mediterranean. In the present day, an oil rig explodes in the Gulf of Mexico, killing and badly injuring many workers. Enter Kurt Austin, head of Special Projects at the National Underwater Marine Agency. Kurt leads a team that assists in marine emergencies, so they respond to the Mayday call and quickly find a stream of underwater flame—escaping gas is burning in the water, down “as far as the eye could see.” It’s a fire that needs no oxygen, a phenomenon Kurt’s team has never seen. NUMA calls the disaster clear-cut sabotage, and Kurt’s assignment is to find the guilty party. Said party is Tessa Franco, CEO of Novum Industria, who is busily sabotaging oil production around the world. She wants to promote her new fuel cell to replace “this mad reliance on fossil fuels” and become even more stinking rich than she already is. She has “infected half the world’s major oil fields” by pumping oil-eating bacteria into them, rendering them useless. “She is the oil crisis,” Kurt tells the president. Kurt's and Tessa’s teams race to locate the Minerve, which may have critical genetic research Israel commissioned half a century ago. There are great action scenes underwater and on the surface, where Tessa’s seaplane, the Monarch, is almost as big as a 747. Rotten to the core, Tessa wants her lackeys to “get rid of Austin once and for all.” Her odds look mighty good considering the firepower she brings to bear.
Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.Pub Date: Nov. 6, 2018
ISBN: 978-0-7352-1902-1
Page Count: 416
Publisher: Putnam
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and...
In Pinborough’s (Behind Her Eyes, 2018, etc.) twisty, decade-spanning, multivoiced thriller, everyone has secrets: teenager Ava; her mom, Lisa; and Lisa’s best friend, Marilyn.
On the surface, all three women fulfill the roles expected of them, and they support and love one another, but they don’t truly know each other. Ava, a competitive swimmer, is finishing up her exams and sneaking around with her first boyfriend while overly protective mom Lisa is about to clinch a big contract at work—and maybe even go on a date with a handsome millionaire client. Marilyn has been dealing with headaches at home, but she’s still game for a shopping trip to outfit Lisa for that big date. Soon, however, they will discover that someone else in their lives has a secret much darker than any they carry. This person is a murderer who is stalking a childhood friend who, they believe, betrayed their deepest trust. There are a lot of plot twists and reveals within the novel, some of which are surprising, some of which are expected. Pinborough weaves several different time periods and several different narrative voices to create layers of character and conflict, but the characters are types often found in psychological thrillers, and while their problems are often relatable, at least at first, they aren’t particularly engaging. It’s clear which decisions, and which silences, are going to get them into trouble, and yet, as people do, they carry on anyway. The one element that sets Pinborough’s novel apart from the slew of similar thrillers is the emphasis on female empowerment and the power of female relationships. These women need no one to save them, no knights in shining armor or handsome cops. As Marilyn succinctly puts it, “Fuck. That. Shit.”
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and turns along the way.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-285679-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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