Even with a plot hole or two, a tacked-on narrative thread about a corporate treasure-hunting enterprise and a believability...
Cussler and company (The Kingdom, 2011, etc.) send treasure hunters extraordinaire, Sam and Remi Fargo, onto the windy steppes of the ancient Hun empire searching for the tomb of the Scourge of God.
The Fargos are volunteering temporarily as excavators at a Paleo-Indian village site under shallow water off Grand Isle, La. The dive’s interrupted by a hasty call from famed German archaeologist, Albrecht Fischer. Fischer believes he’s unearthed a major find near Szeged, Hungary. The Fargos head off to Europe to help. Then, Fischer is kidnapped and taken to Szeged, only to be rescued by a Fargo-led amateur commando raid on a pharmaceutical complex owned by Arpad Bakor, a Hungarian who claims Attila as an ancestor. Bakor believes Fischer’s find may be the location of Attila’s legendary lost tomb. And so it goes, Sam and Remi, assisted by character-actor players who always appear at the right time, follow a series of Attila-supplied scavenger-hunt clues to the location of his triple-coffin burial site. The dialogue is sophisticated rom-com snappy, and there’s much mention of the right vintages and exotic gourmet dining and five-star hotels. Best of all are dozens of Wow! historical factoids about Attila and concurrent history. The settings are exotic: a vineyard south of Budapest; the confluence of the Po and Mincio rivers in Italy, the point where Attila turned away from Rome; then Châlons-en-Champagne, the furthermost western point of the Hun’s dominion; Transylvania; Kazakhstan, and finally, Rome’s Catacombs of Domitillia. There the story should end, but coming free with all the interesting Hun history is a multi-chapter shootout involving Hungarian, French and Russian bad guys, each of whom wanted a share of the tomb but will settle for revenge.
Even with a plot hole or two, a tacked-on narrative thread about a corporate treasure-hunting enterprise and a believability buy in—the Fargo’s bottomless money bucket—Cussler fans can expect more than a few hours of page-turning action.Pub Date: Sept. 4, 2012
ISBN: 978-0-399-15926-8
Page Count: 484
Publisher: Putnam
Review Posted Online: Aug. 3, 2012
Kirkus Reviews Issue: Aug. 15, 2012
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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