There’s lots that appeals: a polite but determined fox, just enough danger, and plenty of colorful art.
A fox named Fred quests for a life away from his native city.
The opening double-page spread features a background of what looks like dark-blue construction paper, foregrounded by the geometrical shapes of a city at night. A slender, orange fox with white feet, oversized head, and large eyes that recall Jon Klassen’s art peers toward the next page. Dark, large words proclaim, “This is Fred. He lived in the middle of a big city.” Readers learn that Fred doesn’t like the smoke, noise, and fast action of the city—unlike his cousins, who happily use Fred as lookout as they attempt to raid some garbage cans. When the inevitable garbage-can fiasco ends, Fred talks to various animals to find out what is beyond the city. He believes there must be something that’s more to his liking, and a bird confirms that a place called “the wild” has wind blowing through trees with spreading branches. Each colorful painting shows the different places the fox encounters as he makes his way from urban to rural—from city outskirts past the harbor and a junkyard and finally into a tunnel. The tunnel spread is engaging: against a totally black background, staring eyes and mottled steppingstones marking a path for the courageous fox stand out. In a nice twist, the ending defies the familiar “no place like home” trope.
There’s lots that appeals: a polite but determined fox, just enough danger, and plenty of colorful art. (Picture book. 3-6)Pub Date: Nov. 14, 2017
ISBN: 978-0-7636-9648-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A sweet, tender and charming experience to read aloud or together.
A clueless duckling tries to make a new friend.
He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts. When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.
A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)Pub Date: Jan. 22, 2013
ISBN: 978-0-375-86990-7
Page Count: 40
Publisher: Random House
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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