by Colado ‧ RELEASE DATE: Nov. 6, 2015
An informative read for anyone interested in the history of Cubans who moved to the U.S. before the mass emigration sparked...
In the early 1900s, a Cuban mother and daughter immigrate to New York and overcome adversity.
In this debut novel, Colado draws on the experiences of her family to present the story of Anna and Marti. Impregnated by her sister’s boyfriend in Cuba, Anna gives birth to Marti at the age of 14, puts her in the care of others, and claims she’s the baby’s aunt. Later, Anna moves to New York, where she struggles at first but becomes established and lives with an Italian immigrant named Jimmy. She brings 13-year-old Marti up from Cuba, taking her out of a Roman Catholic boarding school. In New York, Marti confronts her mother about referring to her as her niece, but Anna and Jimmy continue to describe her that way to others, saying Marti’s mother died in childbirth. When Marti grows up, she marries a Cuban immigrant named Alfredo, who works in the garment industry but suffers from a serious heart condition. Enduring racism and anti-Hispanic sentiment, the couple have three children, buy a farm in upstate New York, and prosper. Years later, after Alfredo’s heart condition kills him, Marti carries on, selling the farm, building a rental apartment in her new house to bring in income, and learning to drive “in spite of the perpetual sound of honking that came from the cars driving behind her.” This is an uneven tale. Although Colado delivers superb portraits of a few characters, especially the wisecracking, easygoing Alfredo, she crams too many people and centuries of Cuban history into this short novel. A couple of relatives in the military, for instance, have little to do with the main narrative. Even Marti’s mother, Anna, isn’t well-drawn, and the emotional distance between the two women isn’t fully explored or resolved. Abrupt transitions can make the reading choppy. Still, Colado spins a heartfelt story of grit and perseverance, and the tale features several poignant moments, including Alfredo’s death. In addition, the author’s descriptive powers can be strong: a dying chicken flaps “like newspaper during a storm,” and the young Anna is “a caterpillar who could not return to its chrysalis.” The book, which will likely appeal primarily to the author’s relatives, includes strange-looking snapshots that appear to have been Photoshopped.
An informative read for anyone interested in the history of Cubans who moved to the U.S. before the mass emigration sparked by Castro’s revolution.Pub Date: Nov. 6, 2015
ISBN: 978-0-9967402-0-3
Page Count: 174
Publisher: R.E. Phillips
Review Posted Online: July 19, 2016
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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