Life derails a commissioned meditation on Kerouac from a young American writer.
On assignment from his publishers to reappraise On the Road in the age of Obama, Buzzell (My War: Killing Time in Iraq, 2005) admits that while he adored Kerouac as a teenager and has several copies of the book, including a first edition, after a tour in Iraq, he had lost his passion for it. More to the point, he was distracted by two personal events: his mother’s terminal illness and the birth of his son. At loose ends, in mourning and frankly wanting to postpone the responsibilities of married life and fatherhood, Buzzell decided to make a journey all his own, starting in San Francisco and following his whims to discover America on his own terms. His travels took him to Salt Lake City, Cheyenne, Denver, Omaha, Des Moines and, most enduringly (and endearingly) to Detroit before he winding up almost by chance in New York City. Along the way, he drove and lost money on an ice-cream truck, cleared land with a chainsaw for a new Safeway, sold used items at a Salvation Army and engaged in a lot of drinking and spending time in flophouses, his preferred mode of lodging. For nearly half the book, the narrative is as rootless and random as the author’s wanderings at first. Buzzell was amusingly unimpressed with himself, and he lets the reader in on his self-doubts about the project at hand every step of the way. It’s only in Detroit, where he openly assumed the role of writer, that he truly found his footing as a witty, fearless, sharp-eyed chronicler of America in decline. Time, Inc.’s purchase of a “safe house” in an upper-class enclave for its reporters to cover Detroit’s devastation reminds him of Baghdad’s Green Zone, where American reporters idled in high style between jaunts into the wrecked city to cover the war. Besides being intensely self-aware, Buzzell exhibits a Henry Miller–like talent for the memorable character sketch, and Detroit gives him plenty of subjects. A slow starter with a strong finish.
Pub Date: Sept. 1, 2011
ISBN: 978-0-06-184135-4
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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