An engaging sequel that crossbreeds established SF characters with a credible extraterrestrial murder mystery.
An American war veteran in the forefront of future space exploration awkwardly turns into a crime investigator when a planetary colony he is replenishing is revealed as a hotbed of intrigue and murder.
In this SF sequel, Alexander continues the chronicles of future tough-guy hero (of Norwegian American descent) Leif Grettison, begun in Starman’s Saga (2019). For newcomers, this caper can largely be savored as a stand-alone. Leif is a battle-scarred veteran of a world conflict whose main intent now is to stay away from a fractious, corrupt Earth that holds no place for a fair-minded, honorable ex-soldier. Yet he repeatedly plays a pivotal role in interstellar hijinks. His formidable one-time enemy/now lover, pilot Yang Yong, wants Leif to accompany her on a routine trip to a newly seeded space colony on a distant hothouse planet ironically called Heaven. They are bringing supplies and fresh pioneers to continue building the beachhead. But arriving on Heaven, Leif finds a polarized, rebellious rabble on the scorching planet (“This heat was like being wrapped in wool blankets and then thrown into a sauna”). It seems the first colonists are actually convicts—runaways, dopers, and shifty Earth refugees. Judging that settling the harsh biome will involve too much uncomfortable work, they are voting to ditch the mission and return home via the supply ship despite the agreement that this was a one-way trip. Leif and company hardly have time to process this when the malcontents’ leader, a much-disliked blackmailer and con man called (pseudonymously) Jerry Whitehead, dies under nonviolent but very suspicious circumstances. Leif finds himself conducting a maladroit Whitehead murder investigation in the middle of a regime change, secrets, lies, politics, and PTSD triggers from all the stuff he thought he left behind. The tale’s whodunit aspect is serviceable, if not spectacular, and relies on a supporting character’s swift (but acceptable) deus ex machina role change. But it’s the solid storytelling, characterization, and fast-paced action that keep this game afoot. Readers who enjoy hard-science SF should be pleased with the biology and worldbuilding elements. And they will perhaps take note that while loads of Alexander’s SF contemporaries have generated many hand-wringing dystopia-o-ramas of global warming, Heaven's climate change has arisen naturally, not due to human industry.
An engaging sequel that crossbreeds established SF characters with a credible extraterrestrial murder mystery.Pub Date: Aug. 3, 2022
ISBN: 978-1-73619-844-5
Page Count: 308
Publisher: Alton Kremer
Review Posted Online: Sept. 15, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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