by Colin Harrison ‧ RELEASE DATE: Oct. 1, 2009
If this fast-paced, surprisingly reflective yarn doesn’t measure up to Harrison’s more ambitious thrillers (The Finder,...
Harrison’s fleet seventh novel, originally serialized in the New York Times Magazine, follows an insurance attorney down a trail he wishes he’d never taken.
Ten weeks after her son Roger is killed, Diana Corbett, herself seriously ill, tells George Young that she needs to know more about his last hours. It isn’t his death she wants George to investigate—surveillance video shows that Roger emerged from a bar at 1:30 a.m. and got hit by a garbage truck as he paused after stepping off the curb to examine a piece of paper from his pocket—but the question of what he was doing for the four hours he sat in the bar. George, who’s by no means a professional detective, can’t imagine why imperious Diana has chosen him for this job. But he’s done a fair amount of work investigating fraudulent claims, and he’s always been grateful to Diana’s late husband, his firm’s founder, for plucking him from obscurity. So he begins to ask questions and in short order finds some answers, though none to Diana’s liking. She refuses to acknowledge that Eliska Sedlacek, the willowy Czech hand model with whom Roger spent most of his last evening and many nights before, was his girlfriend. Instead she’s more interested in the call Roger made from his cell phone minutes before he died, a call that remains as much a mystery to George as the question of what was written on the vanished piece of paper that so interested Roger. Meanwhile, Eliska has developed a strong interest in a box of Christmas tree ornaments Roger’s ex-wife cleaned out of his apartment after his death. George spends a great deal of time tracking down the ornaments and figuring out why Eliska cares so much about them before he confronts Roger’s darkest secret.
If this fast-paced, surprisingly reflective yarn doesn’t measure up to Harrison’s more ambitious thrillers (The Finder, 2007, etc.), it’s well worth its price and length.Pub Date: Oct. 1, 2009
ISBN: 978-0-312-42893-8
Page Count: 192
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Mark Z. Danielewski ‧ RELEASE DATE: March 6, 2000
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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