Poignant, frightening, packed with historical nuggets—a cautionary tale for contemporary times.
Sargent’s novel is based upon the life of Iordana (Dana) Borila Ceausescu, daughter-in-law of Romanian dictator Nicolae Ceausescu.
Written as a fictionalized memoir composed in the voice of Dana Ceausescu, this narrative is based upon Sargent’s interviews with the beleaguered ex-wife of Valentin Ceausescu, scion of the family that ruled Romania from the late 1960s through the 1980s. The interviews took place in Maine, where Dana and her son, Dani, lived in hiding after Ceausescu was overthrown and executed in the violent revolution of 1989. Born and raised in Bucharest, Dana is the daughter of devoted communists—her father is a high official in the Central Committee, and her mother is a respected newspaper journalist. As such, the teenager has enjoyed a life of privilege. Her parents’ fortunes begin a dramatic decline when Nicolae Ceausescu seizes control of the Central Committee in 1965. In that same year, Dana meets and begins dating Nicolae’s son, Valentin Ceausescu, much to the displeasure of both families. The couple marries in 1970, and Dana acquires a mother-in-law, Elena, who despises her (“Elena, through her network of Central Committee wives, began a disinformation campaign filled with rumor and innuendo about me that flashed all over the city”). Meanwhile, Nicolae becomes a media darling during the early years of his reign, turning to the West for loans to finance his plans for industrializing Romania (much of this money finds its way into the Ceausescu private coffers). Eventually, crippling debt plunges the country into chaos. Sargent’s novel is both a personal story of deep romantic love and a terrifying historical lesson about life in a police state helmed by a ruthless, cult-of-personality dictator. Always considered an outsider, Dana is nonetheless privy to the Ceausescu family’s extravagances and its unspeakable cruelty. Dozens of daily-life vignettes effectively capture Dana’s moments of joy and heartbreak, and the pervasive fear that extends as the scarcity of food, electricity, and heat grips the country. There’s even a breathless car chase across the border, with celebrity race car driver Catalin Tutunaru at the wheel.
Poignant, frightening, packed with historical nuggets—a cautionary tale for contemporary times.Pub Date: Feb. 14, 2023
ISBN: 978-1909954397
Page Count: 312
Publisher: Barbican Press
Review Posted Online: July 28, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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