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I THINK I WAS MURDERED

Romantic suspense comfort food—just like waffles with cloudberry cream.

After losing her husband, grandmother, and job in quick succession, a young woman strives to uncover a criminal conspiracy while falling back in love with her hometown and its people.

A year after her husband, Jason, died in an accident, attorney Katrina Foster arrives at Talk, Inc., the Silicon Valley company where she’s employed, to find the FBI raiding the premises. David Liang, the chief executive, is under investigation for embezzlement and has apparently fled the country, leaving Liv Tompkins, his pregnant girlfriend—who’s also the company’s chief technology officer, and Katrina’s friend—behind. On the same day, Katrina’s beloved grandmother dies of a heart attack. Shattered by upheaval and loss, Katrina travels home to North Haven, California for the funeral, where she learns that she’s inherited her grandmother’s restaurant. With a lead on a new job back in Silicon Valley, she offers to sell the business to handsome restaurateur Seb Wallace, a local man with a tragic past who has become a major success. Katrina also has a secret: Liv loaded a prototype of Talk’s AI software onto her phone after Jason’s death, and she often speaks to the chatbot of her dead husband for comfort. She starts asking him more questions about the night he died, and he finally says, “I think I was murdered.” Returning to the homey comfort of North Haven, Katrina vows to uncover the truth behind Jason’s death, which involves a mysterious Satoshi egg that contains the code to $30 million worth of Bitcoin, a possible international assassin, and a potential mole in the FBI. She’s helped by her family, Liv, and Seb, with whom she falls deeper and deeper into attraction. It’s a high-octane thriller with the grounding touches of Katrina’s Norwegian heritage, the hygge of North Haven, and a very sweet romance between two likable, vulnerable people.

Romantic suspense comfort food—just like waffles with cloudberry cream.

Pub Date: Nov. 12, 2024

ISBN: 9780840712578

Page Count: 352

Publisher: Thomas Nelson

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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