The story of Caesar's Gallic Wars (roughly 5851 b.c.) and return to Rome warfare, followed fictively and, in the main, meticulously, from Caesar's Commentaries. Again, the portraits are memorable—from Brutus (here, a money-mad ``wet fish'' with acne) to Cleopatra (scrawny, ugly, calmly plotting fratricide)—and the politicking is showy, sly, witty, and often deadly. At the close of Caesar's Women (1996), McCullough's fourth massive staging of the power wrests and wrestlings of mighty men of ancient Rome, Julius Caesar, a true colossus of skill and brilliance, had left for ``Further Gaul.'' Now, while mopping up the revolts in his detested Britannia of ``blue-painted relics,'' he receives word from Pompey the Great, First Man in Rome and husband of Caesar's lovely daughter Julia, that Julia and his mother are dead. Grief drains him, but oddly he grows in strength, proceeding to un-Romanized Gaul, pacifying tribe after tribe, and eventually defeating Vercingetorix, an ambitious but inexperienced leader out to unite Gaul, who would not accept Caesar's offer of Rome's ``light rein'' in a ``shrinking world.'' While Caesar with his beloved legions win Gaul with extraordinary tactics and hardship, his foes in Rome have swung Pompey—once a Golden Boy, now tarnished with fatuous conceit and lack of political savvy—to their cause, which is, simply, to destroy Caesar. Although scrupulous in his observance of law, Caesar crosses the Rubicon to become Rome's aggressor. (McCullough appropriately uses Plutarch's account of his utterance: ``Let the dice fly high!'' instead of the gloomy ``The die is cast.'') While temporarily Dictator, afterward, Caesar pursues Pompey's armies until the Great One's sad end. In the wings for Book Six: the gorgeous Mark Antony, slinky Octavius, and Cleopatra. Rewarding but rugged terrain for the casual reader. Armchair generals, though, should love this—perhaps with De bello Gallico at the ready. Maps, glossary, and photos of sculptured portraits of the time. (Book-of-the-Month Club alternate selection/Quality Paperback Book Club selection)
Pub Date: Dec. 3, 1997
ISBN: 0-688-09372-8
Page Count: 752
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 1997
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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