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THE TOUCH

A colorful tale about colorful characters in colorful places and times. Vintage McCullough.

Back in her native Australia after her notable chronicles of the ancient Romans, McCullough depicts a brilliant man who has the golden touch in everything but his marriage.

In a big sweep that covers much of the globe during the late 1800s, McCullough (The October Horse, 2002, etc.) introduces Alexander Kinross and the woman, Elizabeth, he sends for and marries. A man who never knew his father, Alexander leaves Scotland as a teenager in the mid-1800s determined to prove the local bigots wrong about his abilities. He moves to England and studies engineering, then goes on to California, where, with his nose for gold, he makes a bundle in the Gold Rush. Next is Australia, where he discovers more gold and establishes Kinross, a model town. Now immensely rich, and the owner of a magnificent house, he sends for Elizabeth, last seen as a child in Scotland, to be his bride. At 16, Elizabeth is too frightened of her dour skinflint of a father to disobey his orders to leave for Australia, but from the moment she meets Alexander, she’s repelled. Nearly losing her life in the process, she bears him two daughters, brilliant Nell and brain-damaged Anna. Told that Elizabeth should not have more children, Alexander spends more time with Ruby, his mistress, the woman he really loves. Paradoxically, Ruby, a former madam and the mother of brilliant half-Chinese Lee, becomes Elizabeth’s best friend and helps her deal with adolescent Anna’s rape, the murder of Anna’s rapist by her Chinese nurse, and the birth of Anna’s child. Though Alexander becomes an international tycoon, Elizabeth remains unimpressed. Only Lee, a few years younger than she and back from studying in England, touches her heart. But Elizabeth still has much to endure before Alexander, a fundamentally generous man, realizes the unwitting harm he has done to her and makes spectacular, if tragic, amends.

A colorful tale about colorful characters in colorful places and times. Vintage McCullough.

Pub Date: Dec. 1, 2003

ISBN: 0-684-85330-2

Page Count: 464

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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