A master novelist in full command of his powers as a storyteller, prose stylist, and social observer.
Whitehead’s justly celebrated Harlem Trilogy comes to a triumphant, satisfying conclusion.
The two-time Pulitzer Prize winner has brought his decades-long saga of furniture retailer and part-time criminal fence Ray Carney into the 1980s, a time of starkly mixed blessings for a New York City galvanized by reckless real estate development, plagued with widespread homelessness, and immersed in crime and corruption of gaudy proportions. As with its two predecessors, Harlem Shuffle (2021) and Crook Manifesto (2023), this installment carves its historic period into three self-contained but interwoven stories set in three different years. The first takes place in 1981, when Ray, flush with pride over being named Sterling Furniture’s “Northeast Regional Dealer of the Month,” is confounded when wife Elizabeth is denied a loan for her travel business. So, to get her the money she needs, he joins a crew led by the redoubtable Uncle Rich, a legendary thief, embarking on a near-impossible heist at the Waldorf Astoria. Elizabeth also spearheads the second installment, which takes place two years later, when she recruits the dyspeptic Pepper, Ray’s friend and sometime coconspirator, as bodyguard for a jittery businessman trying to buy a valuable African mask. When that object goes missing, Pepper and a hip young woman bearing a mohawk haircut and combat boots wander the seedier streets of Manhattan to locate it, crossing paths with a “Melancholy Hitman” also frantically pursuing the mask and leaving mutilated corpses in his wake. In the final section, taking place in 1986, Ray struggles to fulfill a posthumous obligation to his ill-fated cousin, Freddie, by using all his hard-earned wiles as salesman and felon to save Freddie’s son, Robert, from being framed (or worse) in the murder of a bent Queens lawyer. It’s as improbable as packing three page-turning thrillers into one book that’s sustained throughout by rich, engaging characterizations and lucid, provocative reflections on a community, a city, and a people it presents as both exasperating and captivating with equal intensity.
A master novelist in full command of his powers as a storyteller, prose stylist, and social observer.Pub Date: July 21, 2026
ISBN: 9780385550505
Page Count: 368
Publisher: Doubleday
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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