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FISHING THE SLOE-BLACK RIVER

STORIES

A bittersweet collection of 12 taut, beautifully written stories about both the modern Irish who have scattered and those still clinging to their homeland, by the author of the well-received novel Songdogs (1995). Wide in range and scope, these disparate tales are grounded in telling, evocative details. ``The light is like an old fisherman in a yellow rain-slicked coat,'' muses a young Irish immigrant to San Francisco in ``Breakfast For Enrique,'' putting much of his life aside so that he can be with his lover, now dying of AIDS. Many of these pieces have a similarly grim backdrop, but in each there are characters who persevere, demonstrating a plucky will that often brings them into the realm of the gently fantastic. In the moving ``Cathal's Lake,'' a live swan miraculously appears on a farmer's land each time someone is killed in Irish factional violence; soon his pond is crammed solid with the beautiful white birds. In the title story, the women of a small Irish town where the ``children have begun their drift'' gather at the riverbank to fish for sons to replace those who have already gone away for good. Several stories are heartbreaking in the way McCann illuminates how the damaged cope. In ``A Basket Full of Wallpaper,'' a Japanese survivor of Hiroshima moves to a small Irish village and compulsively wallpapers his cottage over and over, creating an ever-thickening insulation against the maddening world. And in ``Around The Bend and Back Again,'' a young woman in a mental institution creates an elaborate plan to return to her childhood home, an old railroad caboose that her father used to pretend he could drive through the stars. The apocalyptic ending of this tale (as with many others in the collection) is disquieting, yet strangely uplifting. A powerful, memorable collection with arresting images, unique characters—and voices that linger.

Pub Date: Nov. 1, 1996

ISBN: 0-8050-4106-0

Page Count: 224

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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