Mesmerizing.
McCann traces the trajectory of a Gypsy poet’s exile.
Drawing on extensive research and visits to Romani settlements in Slovakia, McCann (Dancer, 2003, etc.) re-imagines the iconic Gypsy poet Papusza in the fictional guise of Zoli, whom we first meet at age six, fleeing with her grandfather, having narrowly escaped a Fascist pogrom in which their family and kumpanija (Gypsy band) died. Although reading and writing is forbidden for a Romani girl, Zoli learns in secret. Soon she is singing songs to her adopted kumpanija. The band survives WWII and is welcomed by the Slovakian Communist regime. At first, it appears that anti-Romani discrimination will end. Zoli is discovered by a poet, Stránský, and his English apprentice and translator, Swann, who edit a literary magazine and labor in a Bratislava printing plant. When they transcribe Zoli’s songs into poems and publish a chapbook, Zoli becomes a Socialist poster-poet, a sensation fêted on national tours. Tightly bound by her Romani roots, Zoli often retreats to her kumpanija’s encampment. When Swann follows her, they begin a clandestine affair, complicated by the Romani refusal to accept outsiders, or gadže). The regime changes and Stránský is tortured and shot. The government embarks on a campaign, called the Halt, of forced relocation of Gypsies to high-rise apartments. (To ensure cooperation, all their wagon wheels are burned.) Zoli’s popularity among gadže has incited distrust among her people. They blame her for the Halt, and administer the ultimate Gypsy punishment: She is declared unclean. The girl is subsequently banished and thereafter shunned by her people. She sneaks into Swann’s apartment and, in a gesture of despair and cynicism, steals his meager possessions. McCann artfully weaves Romani traditions, superstitions and expressions into a vibrant tableau, vividly rendering Zoli’s conflicting urges to flee and stay. After a tortuous journey, alone, on foot, across three countries, she is smuggled across the Alps into Italy, where she finally reconciles with her harshest persecutor, herself.
Mesmerizing.Pub Date: Jan. 16, 2007
ISBN: 1-4000-6372-8
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2006
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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