Next book

WE PRETTY PIECES OF FLESH

A brilliant portrait of female friendship, nearly the equal in honesty and subtlety to Elena Ferrante’s Neapolitan novels.

The complicated relationship among three Doncaster lasses.

Written in savory Yorkshire dialect (perfectly comprehensible to non-locals after a page or two), Brown’s first novel follows the trio from age 11 in 1998, when they bond on the first day of “big school,” through a fraught reunion in 2017, when a long-kept secret finally comes out. We begin with Rachael’s first-person recollections of a wild night out in their teens that sketches the social and emotional currents informing their interactions. Rach’s two-parent family sits at the top of the British working class, and as the girls start big school has just moved to a better neighborhood. Kel and Shaz have the “same single mums they called ‘mam,’ same state-sponsored quid-a-day [lunch] money, same missing dads.” In Rach’s view, Shaz is the tough girl who knows more and dares more, though Rach also thinks she lies about some of her escapades and isn’t afraid to say so, while Kel anxiously tries to keep the peace. When the novel switches to Shaz’s point of view, a second-person narration that reflects her alienated psychological state, we see that to her Rach is the solid, self-assured one clearly headed for better things. That’s why Shaz can’t reveal a shameful episode involving the boy Rach is dating, “cuz it’s whorish behaviour, innit.” In their world, girls are supposed to be sexually free but not “slags,” and signals are equally mixed about rising out of the working class. Is going to “uni” and getting a decent job making something of yourself, or getting above yourself? There aren’t any definite answers as Brown perceptively chronicles the shifting power dynamics of the girls’ teenage years and then their separate odysseys as Rachael becomes a teacher, Kel moves to America, and Shaz sinks lower and lower with drugs, drink, and lousy jobs. A moving conclusion opens old wounds but suggests healing is possible for women who have meant so much to each other for so long.

A brilliant portrait of female friendship, nearly the equal in honesty and subtlety to Elena Ferrante’s Neapolitan novels.

Pub Date: March 4, 2025

ISBN: 9781250342881

Page Count: 336

Publisher: Henry Holt

Review Posted Online: Dec. 12, 2024

Kirkus Reviews Issue: Jan. 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 10


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 10


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 386


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 386


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview