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MUST BE FRIENDS

Vivid characters and fresh takes on childhood friendship elevate this novel above its flaws.

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A pair of young girls find each other and a path forward from their chaotic lives in Johnson’s historical novel.

At the beginning of summer in 1927, in an unnamed, medium-sized Midwestern city, two outsiders approach a group of young boys playing baseball and blow them away with their skills. (One of them even hits every one of local bully Billy’s curveballs, and knocks the wind out of him, too.) Afterward, the two outsiders speak privately, revealing their secrets. “How long did it take you to figure out I was a girl?” the young Sam asks as she introduces herself to Jo, and the two tomboys form an instant bond. They quickly learn each other’s stories: Jo was passed among family members after her mother went to prison before winding up with Jo’s abusive, alcoholic stepfather, Steven; Sam grew up in an orphanage in New York City, and after being shuttled between terrible foster families, she struck out on her own. As Johnson writes, “The two young girls bonded over how they’d been betrayed by every adult figure in their short, wretched lives.” When Jo’s drunken stepfather attacks Sam, Jo strikes him with a baseball bat, killing him instantly. Sam suggests that they run away, but Jo has a different idea: “We don’t need him. No one will know.” In a twist that calls to mind Fannie Flagg’s Fried Green Tomatoes at the Whistle Stop Cafe (1987), the girls dump Steven’s body in the river and begin a new life, one “with no jobs, no school, and no one to tell them what to do.” While adventuring around town, they meet a boy at the library named Howard, who teaches them how to shoot a gun, and a world-famous pianist from Warsaw, Madam Kaminska, who imparts life lessons. They also begin to trust a few adults, including Ed Coltrane, a fireman who saves Sam’s life. But the precariousness of their situation looms in the background, and more nefarious adults will arise to test their resolve and their bond.

Johnson’s core idea—mistreated girls transform a murder into the most positive event of their lives—is undeniably clever. The novel is filled with concise, powerful lines that demonstrate the author’s ability to compress big emotion into simple, powerful statements, like when he captures Jo’s uneasy adjustment to a life no longer defined by violence: “She felt more vulnerable with frivolous talk, in kidding and playing around. Personality was more fragile than history.” The solidarity between the girls is especially moving, particularly when Sam quietly reveals that she needs Jo to teach her how to read. Despite these strengths, the novel’s structure works against its impact. Very quickly after meeting the girls, readers are hit with a sledgehammer of unhappy exposition cataloging the girls’ traumatic pasts; Steven’s violent death is also immediately followed by a harrowing burning-building episode before the novel downshifts suddenly into sweeter territory. Likewise, a surprise last-minute villain sets up an exciting conclusion but ultimately feels superfluous among the already crowded gallery of treacherous adults the girls have faced. But even with the rough transitions, readers will still be able to appreciate Johnson’s unique version of a coming-of-age tale.

Vivid characters and fresh takes on childhood friendship elevate this novel above its flaws.

Pub Date: April 7, 2026

ISBN: 9781642281347

Page Count: 270

Publisher: Izzard Ink

Review Posted Online: Jan. 28, 2026

Kirkus Reviews Issue: March 15, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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