Better than virtual reality, this is one trip begging to be taken on repeat.
Motorcycles and bears—two very different things that somehow go great together.
“If I were a bear for a day,” the book begins, “my name would be Bear.” A pair of sleepy eyes open, and readers see the world from the perspective of a thoroughly civilized, mechanically inclined ursine protagonist. “I would eat breakfast…and wonder where my best friend, Mouse, had gone off to,” continues our narrator. “Well, I’d better go find him, I would think.” That means hopping on a motorcycle and going into town. Mouse is nowhere in sight, until an unseen character listening to this tale (and who’s been interrupting periodically) suggests that hot-air balloons could play a role, and voilà! Bear finds Mouse hanging off a rope dangling from a balloon, requiring a daring rescue. Eventually, we learn that our narrator is, in fact, a tan-skinned child named Corey who’s been delivering a class report (as racially diverse classmates interject suggestions and criticisms). Visually, the book adopts a distinct point of view in much the same way that Chris Raschka did with New Shoes (2018). Youngsters get to fully experience the bear’s motorcycle adventures, leaning into curves on picturesque highways and byways. The twin fantasies of beardom and cycle glory pair shockingly well together, helped in no small part by Tabor’s inventive framing and gently beautiful art of rolling hills and epic skies.
Better than virtual reality, this is one trip begging to be taken on repeat. (Picture book. 3-6)Pub Date: May 19, 2026
ISBN: 9780063373600
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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