Sensitive, stunning words and pictures speak directly to young hearts.

MY HEART

Lucid verse and transcendent monotype prints express how a heart can be “a window…a slide…closed / or opened up wide.”

Soothing, simple phrasing and masterful printmaking harness metaphors to make a heart’s complexity accessible to children just recognizing its many manifestations. Recurring rhyme provides an ideal cadence for reading aloud and also a reassuring assertion: Feelings can change from one moment to the next, your heart might sometimes be “cloudy and heavy with rain,” but just as the verse returns to rhyme, a heart can right itself. It "can grow,” and it “can mend, / and a heart that is closed can still open again.” Double-page spreads, inky with coal blacks and smudgy graphite grays, find luminosity and searing beauty through the introduction of a single color, an undauntedly optimistic ginkgo yellow that surges and glows. Pencil work adds specificity (freckles, eyeglasses, buttons, blades of grass) and sometimes emotional jaggedness (pelting rain, a steep, rickety slide). Young readers will see themselves in this impressive book’s children, kids of all racial backgrounds, who hide behind closed curtains, trudge through rain, extend a bouquet of small heart-shaped flowers, stand under the protective boughs of a wondrous tree. The final pages acknowledge a heart’s myriad, sometimes-incongruous roles (“a shadow, / a light, and a guide”) and joyfully assert our own, ultimate self-governance: “Closed or open… // I get to decide.”

Sensitive, stunning words and pictures speak directly to young hearts. (Picture book. 6-11)

Pub Date: Jan. 8, 2019

ISBN: 978-0-7352-2793-4

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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Inspiration, shrink wrapped.

WHAT THE ROAD SAID

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 8, 2021

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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