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BLOOD MERIDIAN

Grandiose, feverish, opaque.

Virtually all of McCarthy's idiosyncratic fiction (The Orchard Keeper, Child of God, Suttree) is suffused with fierce pessimism, relentlessly illustrating the feral destiny of mankind; and this new novel is no exception—though it is equally committed to a large allegorical structure, one that yanks its larger-than-life figures across a sere historical stage.

“The kid”—a Tennessee teenager—wanders aimlessly into the Texas Indian wars of the 1850s. First he's taken on by a wandering troop of ex-American soldiers, planning its own raid into Mexico. Then, after thoroughgoing slaughter of the troops by the Indians, the kid survives to be recruited as a scalp-hunter in a band of Mexican-financed marauders—led by a madman named Glanton, along with his associate: The Judge, a hairless God-or-devil figure who is capable of great ingenuity (when the men run out of gunpowder, The Judge alchemizes a new batch) but who also indulges in eccentric sermons to explain his bloodthirsty brand of philosophy. (“If God meant to intrude in the degeneracy of mankind would he not have done so by now?...The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his days.”) McCarthy, even more than in previous novels, strains for prophetic, Bible-like tones here—with a cast of allegorical types (a judge, a fool, an ex-priest, the kid) and an archaic vocabulary that lurches from “kerfs” and “bedight” to “rimpled” and “thrapple.” But, though there's something stubbornly impressive about McCarthy's unwavering gloom, the novel's unceasing slaughter sometimes suggests a spaghetti-western without a hero, all gore and blazing sun—while its stentorian, pretentious prose will quickly dissuade most readers from attempting to share McCarthy's dark vision. (“He'd long forsworn all weighing of consequence and allowing as he did that men's destinies are given yet he usurped to contain within him all that he would ever be in the world and all that the world would be to him and be his charter written in the urstone itself he claimed agency and said so and,” etc.).

Grandiose, feverish, opaque.

Pub Date: March 1, 1982

ISBN: 0679728759

Page Count: -

Publisher: Random House

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Feb. 15, 1985

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THE LIGHT OVER LONDON

A charming imagining of the historical gunner girls.

When antiques dealer Cara Hargraves discovers a biscuit tin holding a locket, a photograph, and a diary dating back to World War II, she becomes determined to discover the identity of the smiling young woman in uniform.

Kelly (The Allure of Attraction, 2018, etc.) deftly balances intrigue with mystery and historical detail in her latest novel. As the chapters alternate between the present day and the war era, Cara unpacks mementos conjuring up the life of Louise Keene, a young woman chafing at the confines of Haybourne, her Cornish village. While her mother and Mrs. Moss may be convinced she’ll marry Gary Moss someday—just as soon as the war ends and he returns home to run his father’s small law firm—Louise herself has other plans. So when her beautiful, outgoing cousin, Kate, invites her to a dance, Louise pushes aside a self-deprecating glance in the mirror and musters up her courage. There, she meets the dashing Flight Lt. Paul Bolton, a man who captures her heart. Their whirlwind romance is thrown a curveball when Paul is suddenly deployed, and Louise sets off on an adventure, following him out of Haybourne. Eager to put herself and her mathematical skills to work, Louise enlists, joining the women’s branch of the British army as a gunner girl, a member of an anti-aircraft unit that calculates the locations of enemy planes. Her correspondence with Paul becomes increasingly passionate, and they quickly marry during a rare leave. But a string of unanswered letters is only the first clue that Paul has secrets that will utterly upend Louise’s life. Meanwhile, in the present, as recently divorced and romantically gun-shy Cara chases down the clues in the tin, she meets Liam McGown, her new, rather charmingly disheveled neighbor. A reader of medieval history, Liam chivalrously helps Cara on her quest, and love may be around the corner for the sleuths, too.

A charming imagining of the historical gunner girls.

Pub Date: Jan. 8, 2019

ISBN: 978-1-5011-9641-6

Page Count: 304

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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WORLD WITHOUT END

A lively entertainment for fans of The Once and Future King, The Lord of the Rings and other multilayered epics.

The peasants are revolting. Some, anyway. Others—the good-hearted varlets, churls and nickpurses of Follett’s latest—are just fine.

In a departure from his usual taut, economical procedurals (Whiteout, 2004, etc.), Follett revisits the Middle Ages in what amounts to a sort of sequel to The Pillars of the Earth (1989). The story is leisurely but never slow, turning in the shadow of the great provincial cathedral in the backwater of Kingsbridge, the fraught construction of which was the ostensible subject of the first novel. Now, in the 1330s, the cathedral is a going concern, populated by the same folks who figured in its making: intriguing clerics, sometimes clueless nobles and salt-of-the-earth types. One of the last is a resourceful young girl—and Follett’s women are always resourceful, more so than the menfolk—who liberates the overflowing purse of one of those nobles. Her father has already lost a hand for thievery, but that’s an insufficient deterrent in a time of hunger, and a time when the lords “were frequently away: at war, in Parliament, fighting lawsuits, or just attending on their earl or king.” Thus the need for watchful if greedy bailiffs and tough sheriffs, who make Gwenda’s grown-up life challenging. Follett has a nice eye for the sometimes silly clash of the classes and the aspirations of the small to become large, as with one aspiring prior who “had only a vague idea of what he would do with such power, but he felt strongly that he belonged in some elevated position in life.” Alas, woe meets some of those who strive, a fact that touches off a neat little mystery at the beginning of the book, one that plays its way out across the years and implicates dozens of characters.

A lively entertainment for fans of The Once and Future King, The Lord of the Rings and other multilayered epics.

Pub Date: Oct. 9, 2007

ISBN: 0451228375

Page Count: 992

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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