A bravura rock memoir vibrating with fierce and fearless memories—a must-have item for Chris and Cosey and Throbbing Gristle...
The female half of the alternative music group Chris and Cosey reveals the “harsh and definitely not rose-tinted view of my past.”
Drawing on her library of diaries, musician and performance artist Tutti’s autobiography is an apt reflection of her daring, lifelong restlessness and creative ambition. Born in 1951 in Kingston upon Hull, known during post–World War II Europe as the “most violent city in England,” Tutti was raised in a strict household, and her mother’s singing voice and father’s penchant for electronics “fed and formed my notions of music and sound.” As her mischievous nature emerged, so did the 1960s counterculture in music, art, TV, and other areas. The author went on to co-found the COUM Transmissions art collective and broadened their productions to incorporate prop and dance elements that expanded into controversial commissioned installations on sex and prostitution, including an esteemed exhibition for the British Council. Tutti’s experiences in the stripping and pornography industries inspire pages of brazen, provocative anecdotes that fans will devour. All of these experiments in expression led the author to a passionate coupling with fellow artist Chris Carter and the development of the bands Throbbing Gristle in the 1970s and then Chris and Cosey in the artistic bacchanal of the 1980s. All of these historic events are lavishly and painstakingly detailed, much like the intriguingly written diaries they are culled from. Tutti clearly takes great delight in sharing the roller-coaster emotions experienced within each era and how particular watershed moments shaped her as an artist and an independent woman. Most impressive is the author’s reflection on the decisions that defined her and her personal and professional relationship with Carter that, to this day, has managed to survive culture shifts, age, health scares, and the evolutions of both the music industry and their fan base. Without a hint of regret, Tutti bares all in the name of art and personal integrity.
A bravura rock memoir vibrating with fierce and fearless memories—a must-have item for Chris and Cosey and Throbbing Gristle fans.Pub Date: May 1, 2017
ISBN: 978-0-571-32851-2
Page Count: 500
Publisher: Faber & Faber
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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