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BRITFIELD & THE LOST CROWN

A flawed but exciting, fast-paced, and intriguing adventure.

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After escaping from an abusive British orphanage, two friends travel, face danger, and learn of a deep conspiracy in this debut middle-grade novel.

Although it’s the 21st century, the Weatherly orphanage in Yorkshire, England, run by Mr. and Mrs. Grievous, resembles an institution straight out of Dickens. The orphans are worked hard all day to make sellable items; they get little food, wear tattered clothing, and receive harsh punishments. Twelve-year-old Tom came to Weatherly six years ago, having lived in a string of orphanages since he was a child. He’s close friends with Sarah Wallace, also 12, who’s been orphaned for two years. It’s time to escape, Tom figures, especially when Mr. Grievous taunts him with the information that his parents are still alive. Tom and Sarah make a risky breakout, but on their trail is Detective Arthur Gowerstone, a legendary finder of runaway orphans. Tom and Sarah evade him by stealing a hot air balloon. In Oxford, they meet a friendly professor who guides them to Windsor Castle, where he believes the butler, a former student, will help. But Tom and Sarah soon run straight into a conspiracy carried out at the highest levels that involves the royal succession; nowhere in England is safe. In this series opener, Stewart offers nearly nonstop action, with escapades both perilous and amusing, and exhilarating hairsbreadth escapes. The conspiracy is bold and compelling while the plot folds in intriguing facts about British culture, history, and famous sites. Verisimilitude falters, though; for example, orphanages no longer exist in Britain. And if the orphans never go to school, how do they learn to read the books that are their only pleasure? Another bar to enjoyment is an overabundance of adverbs, which call too much attention to themselves (“whispered enthusiastically”; “replied nonchalantly”; “added earnestly”; “said graciously”; “added philosophically”). Another problem is some underlying sexism; Tom is usually the active partner while Sarah tends to fall down and need rescuing or comforting.

A flawed but exciting, fast-paced, and intriguing adventure.

Pub Date: Aug. 1, 2019

ISBN: 978-1-73296-120-3

Page Count: 394

Publisher: Devonfield Publishing LLC

Review Posted Online: Nov. 14, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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