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DEPTH OF WINTER

The sheriff as the spirit of Quixote, riding a mule to the rescue.

An extended battle for kin and spirit in the Mexican desert.

This 14th installment of Johnson's Longmire series follows Absaroka County's redoubtable sheriff, Walt Longmire, deep into the Chihuahuan desert in search of his daughter, Cady, who has been kidnapped by Tomás Bidarte, the head of a drug cartel and a very bad guy. After a preliminary skirmish with American authorities, who try to restrain him from entering Mexico, Longmire acquires a band of companions and sets off across a forbidding landscape, hoping to reach Bidarte's stronghold before Cady is killed. In a nice early episode, Longmire is passed off to a Mexican colonel as Bob Lilly, the Dallas Cowboy star; other obstacles are not so easily overcome, and as Longmire nears his objective, the dead mount. Several characters warn Longmire that he will need to be ruthless to succeed, but even as the dead accumulate, Longmire adheres to his own moral code. He refrains from killing expat David Culpepper, one of Bidarte's lieutenants, when he has the opportunity because Culpepper is at his mercy, and the contrast between Bidarte's amoral readiness to kill for little or no reason and Longmire's reluctance to take a life if not compelled to do so is possibly overdrawn. The action spans a few days around the Día de los Muertos, which provides somewhat stereotypical opportunities for masked shenanigans and drink-addled confusion. Longmire himself is a nice creation, as ready with a reference to antiquity or a quote from literature as he is handy in a brawl; his allies are satisfyingly varied and colorful, and the bad guys are ruthless and unprincipled. This is a rip-roaring adventure, and if Longmire seems uncannily able to recover from blows to the head and other injuries that would disable a lesser man, well, that's what it takes to defeat this "monster among monsters."

The sheriff as the spirit of Quixote, riding a mule to the rescue.

Pub Date: Sept. 4, 2018

ISBN: 978-0-525-52247-8

Page Count: 304

Publisher: Viking

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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BOOK OF THE DEAD

Proceed at your own risk.

Pioneering pathologist Kay Scarpetta (Trace, 2004, etc.) goes up against a wraithlike killer whose self-appointed mission is to “relieve others of their suffering.”

Practice, practice, practice. If only 16-year-old South Carolina tennis phenom Drew Martin had stuck to the court instead of going off to Rome to party, her tortured corpse wouldn’t be baffling the Italian authorities, headed inexplicably by medico legale Capt. Ottorino Poma, and the International Investigative Response team, which includes both Scarpetta and her lover, forensic psychologist Benton Wesley. But the young woman’s murder and the gruesome forensic riddles it poses are something of a sideshow to the main event: the obligatory maundering of the continuing cast. Wesley still won’t leave Boston for the woman he tepidly insists he loves. Scarpetta’s niece, computer whiz Lucy Farinelli, continues to be jealously protective of her aunt. Scarpetta’s investigator, Pete Marino, is so besotted by the trailer-trash pickup who’s pushing his buttons that he does some terrible things. And Scarpetta herself is threatened by every misfit in the known universe, from a disgruntled mortician to oracular TV shrink Marilyn Self. Cornwell’s trademark forensics have long since been matched by Karin Slaughter and CSI. What’s most distinctive about this venerable franchise is the kitchen-sink plotting; the soap-opera melodrama that prevents any given volume from coming to a satisfying end; and the emphasis on titanic battles between Scarpetta and a series of Antichrists.

Proceed at your own risk.

Pub Date: Oct. 23, 2007

ISBN: 978-0-399-15393-8

Page Count: 416

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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BLACK HOUSE

Those not knowing King’s Dark Tower series or The Talisman will follow all this easily enough. Many admiring King’s recent,...

Coauthors King and Straub, together again (The Talisman, 1984), take a Wisconsin Death Trip into parallel universes.

The Fisherman, who copycats long-dead serial killer Albert Fish, has been chopping up little kids in French Landing, Wisconsin, and sending letters to the children’s parents identical to those Fish sent parents 67 years ago—letters never made public, so how does The Fisherman do this? The local police chief asks for help from Jack Sawyer (hero of The Talisman), a Los Angeles homicide detective now in retirement. As a child, Jack flipped into the Territories, the parallel world in The Talisman, but has since forgotten his trip. What about the all-black Black House in the woods? Well, only Charles Burnside (Alzheimer’s) and Tinky Winky Judy Marshall (just plain crazy) know the Black House is the doorway to Abbalah, the entrance to hell—and Judy’s son Tyler is apparently the killer’s fourth victim. Jack’s new buddy, blind Henry Leyden, a radio deejay with four discrete identities no one knows are his, can’t talk Jack into taking the case. But when little Irma Freneau’s gnawed foot arrives in a shoebox on Jack’s welcome mat, Jack flips and lands in the Territories. The Territories confer a sacred magic and, in Jack’s case, absolute luck that lets him win his every bet or endeavor. Tyler, it happens, is telekinetic, and has been abducted by the Crimson King. All universes are held in place by the Dark Tower, the great interdimensional axle the Crimson King wants to destroy. Jack must save Tyler from the furnace-lands below Black House—and here the novel strives for depth, though interest dwindles.

Those not knowing King’s Dark Tower series or The Talisman will follow all this easily enough. Many admiring King’s recent, subtler work, though, may find these blood-spattered pages a step backward into dreamslash & gutspill.

Pub Date: Sept. 15, 2001

ISBN: 0-375-50439-7

Page Count: 640

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2001

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