An extraordinarily moving tale from Lesley (The Sky Fisherman, 1995, etc.) of an idealistic Caucasian father’s agonizing relationship with his adopted son, a Tlingit Indian boy cursed with fetal alcohol syndrome and an abusive childhood. By adopting Wade, a charming, energetic six-year-old orphan whose hands are scarred from physical abuse, Oregon community-college professor Clark Woods hopes he will somehow atone for Emmett Woods, the man who walked out on Clark and his mother, Grace, shortly after Clark was born. Clark’s Tlingit wife, Payette, who doesn—t want children of her own, agrees to the situation at first, then becomes estranged from Clark as Wade becomes an increasing burden. Hyperactive and prone to sudden acts of violence, the boy also has severe learning disabilities and suffers hallucinations in which he sees whales, otters, and other Alaskan wildlife with totemic significance, in places where no such creatures exist. Special classes and therapy sessions fail to help him. When Payette walks out, Clark’s mother moves in to help. Grace can—t watch Wade all the time, and, when a neighbor’s two-year-old drowns in a drainage culvert, police suspect that Wade, who blamed the accident on a whale, may have harmed the girl. Charges aren—t filed, yet Clark is tormented with doubt as Wade grows older, stronger, and more dangerous. Natalie, Clark’s second wife, loves the boy but fears he may harm their baby daughter, Helen, until Clark puts Wade in a group home. Wade runs off from the home and goes on a crime spree, forcing Clark to follow the last-chance advice of Dr. RealBird, a part-Indian child therapist who believes that returning Wade to his tribe might give the boy what Clark cannot. Though slow and meandering, the story gradually builds to a mystically uplifting take on the eternal distances separating fathers and sons, as well as a larger metaphor for the estrangement that both isolates and protects Indian culture from mainstream America.
Pub Date: Feb. 1, 2000
ISBN: 0-312-24554-8
Page Count: 352
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
