by Craig Manning ; illustrated by Ernie Kwiat ‧ RELEASE DATE: Oct. 5, 2021
Points for offering a broad picture even if the presentation is nothing to write home about.
Sesame Street characters gather together to celebrate select turn-of-the-year holidays.
Rather than describe specific practices or origins in his clumsily constructed rhyme, Manning hammers on the titular theme and on general feelings of love and togetherness all the way to an inevitable “there’s no place like home.” He leaves it up to the “grown-ups” addressed in closing crib notes to identify the eight holidays highlighted in turn in Kwiat’s set of cartoon feasts and frolics. Throughout, secular customs and symbols get far more play than religious contexts, and the entry for the Lunar New Year (following a description of the calendrical one) retains the parochial header “Chinese New Year.” However, the gloss for “Thanksgiving” does acknowledge similar celebrations in other parts of the world, and the inclusion of Eid al-Fitr, Kwanzaa, and Diwali alongside Christmas and Hanukkah in the roster likewise signal a generally multicultural outlook. Cameos from stars like Pino (Big Bird’s blue Dutch cousin), Lily the Chinese tiger cat, and hijab-clad Zari expand the already-diverse Sesame Street cast. Younger audiences may be less drawn in by the topic than the challenge of naming all the puppets that put in appearances here (there’s no key), but the festive tone is at least appropriate for the season.
Points for offering a broad picture even if the presentation is nothing to write home about. (Informational picture book. 4-6)Pub Date: Oct. 5, 2021
ISBN: 978-1-7282-4024-4
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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