Reminds parents that much of their power and influence resides in listening and paying attention.

Parenting Without Distraction

THE ATTUNETION APPROACH

Pierce’s guide for teaching parents how to manage their own and their children’s daily distractions.

Founder and president of the Southwest Family Guidance Center and Institute, Pierce encourages parents to reconsider how to manage the interruptions of smartphones and computers in an effort to form healthier and happier relationships with their children. The author coined the term “Attunetion”—a combination of “paying attention” and “tuning in”—and throughout the book, he encourages parents to do both. “[N]o one knows your kids and what they need better than you do,” he says. Pierce offers solutions to day-to-day problems that most parents encounter—from finding more time to give children focused and sincere attention to the impact on families of technological distractions like social media. As part of this solution-based approach, Pierce emphasizes the importance of developing empathy for a child’s emotional health. In order for a child to feel compassion, the author believes, he or she needs to be treated with compassion. The wide-ranging guide comprises 12 chapters, including “Raising Perfect Kids? Careful What You Wish For,” which discusses the benefit of allowing your child some autonomy; “Maxed Out Minds: The Impact of Technology on Growing Kids”; and “When ‘Good’ Kids Behave Badly.” Pierce understands the significance that technology plays in the lives of children growing up today but wants parents to understand that “[w]hatever rules you make for your family, the goal is to teach kids how to master technology without it mastering them.” Pierce believes that giving a child more attention can be something that helps the entire family. His suggestions are straightforward—don’t text while your child is talking to you, for example, and make time to spend with your teenagers rather than expecting them to schedule you into their routine—but that’s what makes them so helpful and manageable. One of the book’s main strengths is that Pierce acknowledges, without judgment or condemnation, the many distractions that both parents and kids face in this modern technological age. The author doesn’t point fingers or belittle the reader but rather offers encouragement and support.

Reminds parents that much of their power and influence resides in listening and paying attention.

Pub Date: Feb. 8, 2013

ISBN: 978-0615703602

Page Count: 112

Publisher: The Attunetion Approach

Review Posted Online: May 7, 2013

Kirkus Reviews Issue: June 1, 2013

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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