by Craig Taylor ‧ RELEASE DATE: March 1, 2012
A nicely polished oral history—good reading just for the vicarious kicks.
A Canadian playwright and literary-magazine editor ponders the love and hate for London, sifting through hundreds of interviews with the denizens.
Living for a time in the city, Taylor (One Million Tiny Plays About Britain, 2009, etc.) is clearly fascinated and fond of the place and those who manage to thrive there, even if he is still mystified by who is and isn’t a “Londoner.” With 32 boroughs (New York only has five), London is truly a city of villages and takes its postcodes very seriously. Cleverly, Taylor organizes his masses of voices by “people who worked with the stuff of the city.” His subjects include a male nurse; a street photographer; a nightclub door attendant; a manicurist who offers her singularly wise take on the strata of society; a personal trainer who tries to smarten up his clients but finds the shoulders and the alignment give out immediately; the black actress who got tired of being cast as a slave and now plies her trade as a plumber; a beekeeper atop the Royal Festival Hall; a gay man who depicts the best cruising spots; the female voice of the London Underground who reveals that even the officials couldn’t decide how to pronounce the stop “Marylebone.” From the well-heeled Pakistani currency trader near his office across from Bank station to the transsexual “skipper” (“forager for waste food in the skips”) on the streets in South London, the stories are alternately poignant, uplifting, amusing and sad.
A nicely polished oral history—good reading just for the vicarious kicks.Pub Date: March 1, 2012
ISBN: 978-0-06-200585-4
Page Count: 448
Publisher: Ecco/HarperCollins
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Dec. 1, 2011
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by Craig Taylor
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PROFILES
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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