In a galaxy far, far away, a young girl and her motley crew of friends fight to save her father and the solar system from a destructive fleet of space whales.
After exhausting all other fuel sources, inhabitants of the universe now rely on the waste of planet-eating space whales, which is processed by "lumberjacks" like Violet's dad. Her impoverished family lives in a trailer park on a perilously stationary asteroid, unlike the upper-crust, who reside on perpetually moving, fuel-dependent space stations, where her mother is a day laborer. Lured by danger and money, her father agrees to an impossible mission and ends up missing. Violet and her newfound gang of friends—an erudite young rooster named Elliot who identifies himself as a chicken, an alien claiming to be the last of his kind, and a gang of her father's old cronies—embark on a quest to save her dad from a space whale and help stop a deluge of whale dysentery from drowning the solar system, but they learn that his disappearance is a part of something larger and more sinister. Thompson's art is wild and busy, with overcrowded, unconventional panel structures. The worldbuilding is a strikingly imaginative pastiche that seamlessly blends biblical references, poop jokes, and social satire. Fans of Ben Hatke's Zita the Spacegirl series should gravitate to this offering.
A weird and wonderful intergalactic tale. (Graphic science fiction. 7-12)Pub Date: Aug. 25, 2015
ISBN: 978-0-545-56541-7
Page Count: 320
Publisher: Graphix/Scholastic
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
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The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
Categories: GENERAL GRAPHIC NOVELS & COMICS | CHILDREN'S FAMILY
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
Categories: GENERAL GRAPHIC NOVELS & COMICS | MYSTERY & CRIME
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