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LIGHTS ON, RATS OUT

A MEMOIR

A searingly eloquent and intelligent memoir.

A noted cookbook writer tells the story of her young-adulthood battles with mental illness and self-harming behaviors.

Abandoned and neglected by her mother and father when she was just 13, LeFavour (Pork: More than 50 Heavenly Meals that Celebrate the Glory of Pig, Delicious Pig, 2014, etc.) grew up virtually parent-free. Though never wanting for money, she began to experience depression in high school; in the years after college, her symptoms, which included irrational numerical fixations and bulimia, began to worsen. When the author was 24, she started therapy with a Vermont psychiatrist named Dr. Adam Kohl. The more she opened up, the more she discovered that she “wanted all of him—or none.” Taking masochistic pleasure in how “special” her own self-loathing made her feel, LeFavour began inflicting cigarette burns all over her body, which she only showed to Kohl. The marks were “[their] secret” but also a way for LeFavour to “punish” the psychiatrist for “activating my desire for him.” Their therapy sessions devolved into a contest of wills, with the doctor refusing to see an increasingly distraught LeFavour if she continued to self-harm. Told that their sessions would go on only if she went to a psychiatric hospital, the author voluntarily committed herself to Sheppard and Enoch Pratt Hospital in Maryland, where she was diagnosed with borderline personality disorder. When she returned to therapy with Kohl, they probed her taste for humiliation, which she satisfied with damaged men or those who, like the doctor, were unavailable to her. Working against demons and an inner tyrant that often threatened to overwhelm her, LeFavour learned the lessons of self-forgiveness that helped her heal. Meticulously constructed from detailed physician notes and her own journals, the book is both disturbing and deeply cathartic. As LeFavour explores the destructive relationship between her mind and body in tandem with her unhealthy, quasi-erotic attachment to her psychiatrist, she lays bare the human hunger—no matter how perverse—for acceptance and love.

A searingly eloquent and intelligent memoir.

Pub Date: Aug. 1, 2017

ISBN: 978-0-8021-2596-5

Page Count: 320

Publisher: Grove

Review Posted Online: May 24, 2017

Kirkus Reviews Issue: June 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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