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WATERBABY

Although Mazza almost drowns her novel in detail and alternative story lines that don’t quite go anywhere, the overall...

From the ambitious Mazza (Girl Beside Him, 2001, etc.), an overstuffed novel about an emotionally paralyzed woman who finds herself living out a ghost story on the coast of Maine.

Tam was a champion swimmer until she had her first epileptic seizure at 13 and never swam again. She was ahead of her brother in the lap, and although everyone else believes he saved her life, she believes he grabbed her leg to slow her down. She has never forgiven him, or forgiven her mother for not pushing her to compete again. Tam has kept her life tightly controlled to avoid another epileptic seizure, although her last occurred years ago, shortly before she graduated college. Now in her 40s, she is comfortably retired from a lucrative career in finance. When her younger sister Martha—whose self-proclaimed quest to bring history to life mirrors the author’s—e-mails the research she’s done on their mother’s family history, Tam heads to Southport on the Maine coast to look into the story of her great-great-grandfather, a lighthouse keeper who possibly saved the life of a shipwrecked baby in the 1870s. Tam soon stumbles onto another story. In 1931, an unknown woman showed up in Southport, walked out to the lighthouse, drowned and supposedly still haunts the coastline. The lighthouse’s current caretaker, Tam’s fourth cousin Nat, prefers to think of Tam herself as the ghost, a role Tam enjoys as they begin an intensely sexual affair. Meanwhile, Tam finds an abandoned infant at a laundromat, turns him over to authorities, then helps his teenage mother steal her baby back. The three hide out at the lighthouse with Nat’s help. The Internet is an integral element of the author’s storytelling, as Tam sorts through family history and comes to terms with her own psychic ghosts.

Although Mazza almost drowns her novel in detail and alternative story lines that don’t quite go anywhere, the overall result packs a lingering wallop.

Pub Date: Oct. 31, 2007

ISBN: 978-1-933368-84-9

Page Count: 320

Publisher: Soft Skull Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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