From the author of Exposed (1994), etc.: another tense, slightly out-of-focus personal drama, but this one runs on too long, its effect dissipated by its own relentless intensity. Erin Haley is a popular newscaster in Reading, Penn., who suddenly has an on-air breakdown. She takes a leave of absence to go back to San Diego, where, ten years earlier, she believes that she was raped—or that maybe she raped someone. What she does remember is that she wound up in the hospital afterwards with a broken jaw, and that the man who might have beaten her up is possibly the man who was involved in the rape. In San Diego, Erin retrieves her journals from that time, entries written mainly at a radio station where the fresh-faced college grad had begun as a writer and researcher for a morning on-air team consisting of a sexist, insecure older hack and a talented ex-jock who had also been recently hired by the station. Mazza alternates the ten-year- old journal entries with an ongoing open letter to Kyle, the ex- jock who was somehow involved in the decade-old brutality. The piecemeal journal entries yield clues to what happened, while in the open letter Erin describes a healing affair she's currently having with a married man. This affair frees her to push through and remember what really happened and to go on with her life. Meanwhile, unfortunately, Mazza's precise, clear prose is often at odds with her heroine's chronic uncertainty: ``Half the time I'm not sure what I was talking about in this notebook...'' a typical journal entry begins. And the endless soul-searching grows stale quickly, making what could have been a tight, tense short story seem like an indulgent and unfocused novel. A few well-crafted and moving moments, then, but ultimately tedious and grating.
Pub Date: April 1, 1995
ISBN: 1-56689-031-4
Page Count: 256
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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