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THE BOOK OF UNKNOWN AMERICANS

A smartly observed tale of immigrant life that cannily balances its optimistic tone with straight talk.

A family from Mexico settles in Delaware and strives to repair emotional and physical wounds in Henríquez’s dramatic page-turner.

The author’s third book of fiction (Come Together, Fall Apart, 2006; The World in Half, 2009) opens with the arrival of Arturo and Alma Rivera, who have brought their teenage daughter, Maribel, to the U.S. in the hope of helping her recover from a head injury she sustained in a fall. Their neighbors Rafael and Celia Toro came from Panama years earlier, and their teenage son, Mayor, takes quickly to Maribel. The pair’s relationship is prone to gossip and misinterpretation: People think Maribel is dumber than she is and that Mayor is more predatory than he is. In this way, Henríquez suggests, they represent the immigrant experience in miniature. The novel alternates narrators among members of the Rivera and Toro families, as well as other immigrant neighbors, and their stories stress that their individual experiences can’t be reduced to types or statistics; the shorter interludes have the realist detail, candor and potency of oral history. Life is a grind for both families: Arturo works at a mushroom farm, Rafael is a short-order cook, and Alma strains to understand the particulars of everyday American life (bus schedules, grocery shopping, Maribel’s schooling). But Henríquez emphasizes their positivity in a new country, at least until trouble arrives in the form of a prejudiced local boy. That plot complication shades toward melodrama, giving the closing pages a rush but diminishing what Henríquez is best at: capturing the way immigrant life is often an accrual of small victories in the face of a thousand cuts and how ad hoc support systems form to help new arrivals get by.

A smartly observed tale of immigrant life that cannily balances its optimistic tone with straight talk.

Pub Date: June 3, 2014

ISBN: 978-0-385-35084-6

Page Count: 304

Publisher: Knopf

Review Posted Online: April 16, 2014

Kirkus Reviews Issue: May 1, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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