MY GREAT GRANDMOTHER’S GOURD

Fatima’s Sudanese village is caught between the ways of the past and the present in a story based on a true event in modern East Africa. Before the coming of the dry season, villagers have always stored water in baobob trees called water gourds, but now that a new pump has arrived, they’ve grown complacent and dismiss the old ways. Only Fatima’s grandmother thinks the villagers are foolish for putting their entire faith in this new technology and she follows the time-honored tradition of collecting water. She makes a trench around a baobob tree to collect rain, and with Fatima’s help, pours this water into its trunk bucket by bucket to be stored until needed. When the pump stops working, all of the villagers who have looked upon Fatima and her grandmother with disdain now realize they have judged too soon. Prayers of thanks are quickly said to them and to the tree for its gift of water. It becomes apparent as the grandmother says, “Maybe it’s wise to mix old with new.” Krudop’s lovely oil paintings, usually facing a page of longer-than-usual text, perfectly depict the village scene and its shimmering heat. His characters are portrayed with dabs of paint, yet their features and their personalities come through clearly. Gently making the case for respecting traditions, Kessler (No Condition Is Permanent, 1999, etc.) also teaches a bit about a country not often depicted in children’s picture books. (glossary, author’s note) (Picture book. 5-9)

Pub Date: Sept. 1, 2000

ISBN: 0-531-30284-9

Page Count: 32

Publisher: Orchard

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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This tale of self-acceptance and respect for one’s roots is breathtaking.

EYES THAT KISS IN THE CORNERS

A young Chinese American girl sees more than the shape of her eyes.

In this circular tale, the unnamed narrator observes that some peers have “eyes like sapphire lagoons / with lashes like lace trim on ballgowns,” but her eyes are different. She “has eyes that kiss in the corners and glow like warm tea.” Author Ho’s lyrical narrative goes on to reveal how the girl’s eyes are like those of other women and girls in her family, expounding on how each pair of eyes looks and what they convey. Mama’s “eyes sparkl[e] like starlight,” telling the narrator, “I’m a miracle. / In those moments when she’s all mine.” Mama’s eyes, the girl observes, take after Amah’s. While she notes that her grandmother’s eyes “don’t work like they used to,” they are able to see “all the way into my heart” and tell her stories. Here, illustrator Ho’s spreads bloom with references to Chinese stories and landscapes. Amah’s eyes are like those of the narrator’s little sister. Mei-Mei’s eyes are filled with hope and with admiration for her sister. Illustrator Ho’s textured cartoons and clever use of light and shadow exude warmth and whimsy that match the evocative text. When the narrator comes to describe her own eyes and acknowledges the power they hold, she is posed against swirling patterns, figures, and swaths of breathtaking landscapes from Chinese culture. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 80.5% of actual size.)

This tale of self-acceptance and respect for one’s roots is breathtaking. (Picture book. 5-9)

Pub Date: Jan. 5, 2021

ISBN: 978-0-06-291562-7

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

DOG DAYS

From the Carver Chronicles series , Vol. 1

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion

Review Posted Online: Oct. 2, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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