Time passes slowly but agreeably in expat Italian first- novelist Odone's lovingly evoked village in the Italian Piedmont, where memories are long and traditions as much a part of life as the changing of the seasons. Not much seems to change in San Lorenzo, a village set in the foothills of the Alps. The gypsies still arrive each summer for the local festa; each night, as the air cools, the housewives promenade round the square; and the seemingly wealthy Ferrati family still owns the fields and vineyards stretching beyond the large house standing at the edge of the village. But change is as inevitable as the end of summer, and the inhabitants of San Lorenzo are no more immune than others less picturesquely situated. These quiet but substantial changes and their consequences are the substance of Odone's story. Alma and brother Francesco are the last of the Ferratis, but when their father, a forceful and colorful character, dies, they've got to sell the land because he invested unwisely- -which doesn't displease ambitious matriarch and burgeoning landowner Franca, who buys the Ferrati property. Alma, an artist who also lives in Turin, and Francesco, an unhappily married publisher in London, are comforted that they at least still have the house they love. As the year passes, the villagers decide to build a shrine to capitalize on the visions of the Virgin Mary pious young Santarella claims to have seen, but neither the Bishop nor Santarella will cooperate; Alma has an affair with a friend of Francesco's who still lives in San Lorenzo; Francesco, torn between London and Italy, finds his marriage improving. When the siblings learn of more debts their father incurred, they realize they can no longer keep even the house, and accept with grace that the San Lorenzo part of their lives is ended. A beautifully crafted debut novel with a perfect Merchant- Ivory quality, putting place and atmosphere, rather than overheated action, center-stage.
Pub Date: Sept. 15, 1996
ISBN: 0-297-81661-6
Page Count: 248
Publisher: Weidenfeld & Nicolson/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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