Next book

TERRESTRIAL

Incandescent.

The acclaimed Mexican writer takes on traveling in her latest story collection.

Rivera Garza has made a career of flouting the conventions of genre, mixing fiction, journalism, and memoir in books like Liliana’s Invincible Summer (2023) and Autobiography of Cotton (2026). It’s hard to tell how many of the stories in her new collection are purely fictional and how many are based in fact, but they’re fascinating nonetheless. In “Sun of Another Planet,” two young women take a secret trip to the city of Cuauhtémoc, well aware of the dangers that men can pose: “Will there be one, two, three men and will they screw us at their leisure, always stronger and bigger than these two citified weaklings, before hitting us, slapping us, pushing us about, elbowing us, pawing us?” There’s a similar dynamic at play in “Herons,” in which two titular birds, both college students, try to hitchhike to Mexico City; they encounter men who warn them: “Not all men are like me” and “Some men are different from me.” The standout story is “The Lions Aren’t Here,” which has Rivera Garza writing about the relationship between a man and woman, both left-wing political idealists; the story is told in the negative: “We are not in love, they didn’t growl one afternoon when an unbearable heat descended heavily, immobilizing everything in its path, a heat that not even the undaunted efforts of the fan could scare away.” The technique throws the reader off balance, which Rivera Garza is quite good at: She revels in the unexpected, eschewing the straightforward at all times, but never in a showy way. These stories, focused on traveling, are absolutely beautiful, written with Rivera Garza’s sparkling and enchanting prose. In other words: She’s done it again.

Incandescent.

Pub Date: Sept. 15, 2026

ISBN: 9780593980088

Page Count: 160

Publisher: Hogarth

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 239


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 239


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Next book

PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

Close Quickview