Readers will be charmed as Harold draws himself in and out of trouble and finally home to bed in this subtle blend of...

HAROLD AND THE PURPLE CRAYON

Harold takes a walk in the moonlight down the path of imagination and although this time the bunnies hop and the winds blow, nothing of the dreamy simplicity of the journey is lost.

Elegantly adapted by Trilogy Studios to the iPad and featuring the same minimalist lines of Johnson's 1955 original, this app allows children to join in as Harold wields his purple crayon to create his gently perilous adventure. Along the way, the many hidden interactions allow readers to animate the scenes, shaking apples from the tree and making the guard dragon catch them in his mouth. Kids can fill the moonlit sky with stars and zoom in on hatchling birds in the mountains; they can cause a swirling wind to fill the sails of Harold's boat and help him sample all nine flavors of pie. All the while, it maintains the flavor of a simple line-drawn story. When touched, most objects and characters are identified both verbally and in text to add an extra level of learning for early readers. Options include Read to Me, in which each word appears as it is spoken by the narrator; Touch Tale, a fully interactive version prefaced with a clear tutorial; and Read to Myself. All modes are accompanied by tinkly music.

Readers will be charmed as Harold draws himself in and out of trouble and finally home to bed in this subtle blend of animation and story. (iPad storybook app. 2-5)

Pub Date: July 30, 2011

ISBN: N/A

Page Count: -

Publisher: Trill Publishing

Review Posted Online: Sept. 4, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug.

THE HUG

What to do when you’re a prickly animal hankering for a hug? Why, find another misfit animal also searching for an embrace!

Sweet but “tricky to hug” little Hedgehog is down in the dumps. Wandering the forest, Hedgehog begs different animals for hugs, but each rejects them. Readers will giggle at their panicked excuses—an evasive squirrel must suddenly count its three measly acorns; a magpie begins a drawn-out song—but will also be indignant on poor hedgehog’s behalf. Hedgehog has the appealingly pink-cheeked softness typical of Dunbar’s art, and the gentle watercolors are nonthreatening, though she also captures the animals’ genuine concern about being poked. A wise owl counsels the dejected hedgehog that while the prickles may frighten some, “there’s someone for everyone.” That’s when Hedgehog spots a similarly lonely tortoise, rejected due to its “very hard” shell but perfectly matched for a spiky new friend. They race toward each other until the glorious meeting, marked with swoony peach swirls and overjoyed grins. At this point, readers flip the book to hear the same gloomy tale from the tortoise’s perspective until it again culminates in that joyous hug, a book turn that’s made a pleasure with thick creamy paper and solid binding.

Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug. (Picture book. 3-5)

Pub Date: April 2, 2019

ISBN: 978-0-571-34875-6

Page Count: 48

Publisher: Faber & Faber

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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A bright, open primer for Escher.

ANOTHER

A young child discovers a portal to a whole other plane of perspective in Robinson’s latest.

In the dark of night, a portal opens in a small girl’s bedroom, the light attracting her cat. When the curious feline crawls through to chase another cat that looks just like it (but with a different color collar), the little girl cannot help but follow as well. Through the portal, the world goes topsy-turvy—up is down, right is left, and color and shape capriciously collide as the ever smiling girl and her cat move from plane to plane. The duo eventually happens upon other children, all playing with alternate versions of themselves, and after a few page turns, our protagonist—a girl of color with black, beaded braids—spots her alternate self as well. The pair share a few meaningful moments, exchanging smiles and cat toys, until eventually each returns to her bed with the small promise of further adventures to come. The simple geometry of Robinson’s work comes alive in this expanse of wordless narrative. A fearless use of white space and an utter disregard of conventions of direction encourage readers to engage with the physical book as the story unfolds, touching and turning it as they literally take the narrative into their hands.

A bright, open primer for Escher. (Picture book. 2-5)

Pub Date: March 5, 2019

ISBN: 978-1-5344-2167-7

Page Count: 56

Publisher: Atheneum

Review Posted Online: Dec. 16, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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