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WHAT CANNOT BE SAID

Far from the charming world of Regency romances, this thorny mystery is a powerful exposé of privilege and inequality.

A 14-year-old British murder is duplicated in chilling detail.

Back in 1801, the wife and daughter of Bow Street Magistrate Sir Henry Lovejoy were shot dead and posed in Richmond Park. Now Lady Laura McInnis and her daughter Emma are discovered in the same spot by two young men who heard shots fired. Sir Henry has worked before with Sebastian St. Cyr, Viscount Devlin, son of the Earl of Hendon and husband to Hero, whose own father, Lord Jarvis, is cousin and powerful adviser to the king. At the time of the first murders, a man was arrested and hanged. But this new outrage tells Lovejoy and Devlin that they’re dealing with either a miscarriage of justice or a copycat. Lady McInnis’ traumatized young niece and nephew, Arabella and Percy, had been playing nearby but say they saw nothing. Her widower, Sir Ivo McInnis, is a wealthy, evil-tempered man, a noted sportsman who’s far from the best husband or father. With some help from Hero, who was a friend of Lady McInnis, Devlin digs into her life in hope of finding a motive for what can hardly be a random killing. The dissolute Prince Regent is hated by the people, Napoleon has just been captured, and the economy is in shambles, the difference between the wealthy few and the rest of the country never more apparent. Powerful forces hoping to blame the murders on anyone but the aristocrats involved are arrayed against Devlin, who nevertheless pushes on to reveal the horrifying truth.

Far from the charming world of Regency romances, this thorny mystery is a powerful exposé of privilege and inequality.

Pub Date: April 16, 2024

ISBN: 9780593639184

Page Count: 368

Publisher: Berkley

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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MURDER TAKES A VACATION

Another gem from Lippman, with a heroine who elevates being ordinary to an art form.

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An ordinary woman finds extraordinary adventures on a river cruise on the Seine.

Muriel Blossom acknowledges that she’s a “no-frills” person, a trait that served her well when doing surveillance for Baltimore PI Tess Monaghan. When she gets an unexpected upgrade on her British Airways flight to Paris, she finds herself not only in business class, but on the other side of the looking glass. Allan Turner, a handsome stranger, befriends her in the Chesapeake Lounge, which her upgrade allows her to access. She misses her connection at Heathrow because of the weather, so he invites her to share his luxurious suite in a London hotel, paid for, he insists, by his firm. Then he sends her off on the Eurostar train to reach Paris via the Chunnel in time for her ship’s departure. Once in Paris, she meets another stranger, younger but equally attentive. Danny Johnson takes her to a friend’s atelier in the Marais where the plus-sized Muriel can find the fashionable clothing she deserves. A mysterious man in a bellman uniform knocks on her hotel-room door and invites her to leave her luggage in the hallway so it can be transferred overnight to her ship, but of course she realizes that’s nonsense. She also receives the news that Allan died in a fall from his balcony the night after she left London. When Danny turns up on her cruise, she knows something’s off, but she can’t put together the pieces. That’s because Lippman is unrivaled in her ability to lay out clues in a way that makes them seem not only mysterious, but downright surreal. Only at the end does everything fit together so naturally that it all seems blazingly obvious. Like Muriel, who’s patient and sensible to the end, you’ll just have to wait.

Another gem from Lippman, with a heroine who elevates being ordinary to an art form.

Pub Date: June 17, 2025

ISBN: 9780062998101

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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