An unabashedly nostalgic, silky-smooth memoir spanning a 15- year period that fiftysomething or older people tend to regard as a golden age in American sports. With assistance from Pulitzer-winning journalist Powers (coauthor, One Goal, 1984, etc.), Gowdy makes unobtrusive use of his long career in broadcasting to recall notable post-WW II teams and events. He was at the local mike, for instance, when Bud Wilkinson began making Oklahoma a college-football power and Hank Iba's Oklahoma A&M basketball squads were beating almost all comers. Moving east in 1949 to become Mel Allen's junior partner in broadcasting New York Yankees games, the author was an eyewitness to the dynastic renaissance of the Yankees, who, under the quirky aegis of Casey Stengel, dominated pro baseball for much of the 1950's. Offered a chance to be number one, Gowdy decamped for Boston in 1951 to air Red Sox games, a job that let him become the first voice of the Celtics as well. While he focuses on his era's storied contests and notables (e.g., Red Auerbach, Doc Blanchard, Glenn Davis, Joe DiMaggio, Bill Russell, Tom Yawkey), the author doesn't shrink from recounting its low points—in particular the point-shaving scandals that cost college basketball a full measure of innocence. Gowdy nonetheless manages to end his anecdotal, episodic narrative with an upbeat, I-was-there account of the home run that Ted Williams belted out of Fenway Park during his final time at bat in the major leagues, in 1960. Manna for older fans who may have forgotten how sweet it was, and a fine reminder for younger generations that artificial turf, integrated squads, TV coverage, drug-testing, seven-figure contracts, platooning, and seemingly endless playoffs weren't always in the game. (Illustrations—not seen)
Pub Date: June 16, 1993
ISBN: 0-06-018228-8
Page Count: 220
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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