bookshelf

SEASONS TO REMEMBER

Name: SEASONS TO REMEMBER
Author: Curt Gowdy
ISBN: 0-06-018228-8

THE WAY IT WAS IN AMERICAN SPORTS 1945-1960

by Curt Gowdy & illustrated by John Powers ‧ RELEASE DATE: June 16, 1993

bookshelf

An unabashedly nostalgic, silky-smooth memoir spanning a 15- year period that fiftysomething or older people tend to regard as a golden age in American sports. With assistance from Pulitzer-winning journalist Powers (coauthor, One Goal, 1984, etc.), Gowdy makes unobtrusive use of his long career in broadcasting to recall notable post-WW II teams and events. He was at the local mike, for instance, when Bud Wilkinson began making Oklahoma a college-football power and Hank Iba's Oklahoma A&M basketball squads were beating almost all comers. Moving east in 1949 to become Mel Allen's junior partner in broadcasting New York Yankees games, the author was an eyewitness to the dynastic renaissance of the Yankees, who, under the quirky aegis of Casey Stengel, dominated pro baseball for much of the 1950's. Offered a chance to be number one, Gowdy decamped for Boston in 1951 to air Red Sox games, a job that let him become the first voice of the Celtics as well. While he focuses on his era's storied contests and notables (e.g., Red Auerbach, Doc Blanchard, Glenn Davis, Joe DiMaggio, Bill Russell, Tom Yawkey), the author doesn't shrink from recounting its low points—in particular the point-shaving scandals that cost college basketball a full measure of innocence. Gowdy nonetheless manages to end his anecdotal, episodic narrative with an upbeat, I-was-there account of the home run that Ted Williams belted out of Fenway Park during his final time at bat in the major leagues, in 1960. Manna for older fans who may have forgotten how sweet it was, and a fine reminder for younger generations that artificial turf, integrated squads, TV coverage, drug-testing, seven-figure contracts, platooning, and seemingly endless playoffs weren't always in the game. (Illustrations—not seen)

Pub Date: June 16, 1993

ISBN: 0-06-018228-8

Page Count: 220

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

Categories:

GENERAL NONFICTION

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.