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FLOTSAMETRICS AND THE FLOATING WORLD

HOW ONE MAN’S OBSESSION WITH RUNAWAY SNEAKERS AND RUBBER DUCKS REVOLUTIONIZED OCEAN SCIENCE

A captivating account of the man who turned beachcombing into a science.

Lively as-told-to autobiography of a scientist who studied flotsam—floating trash—and revolutionized the study of the world’s oceans.

Ebbesmeyer graduated college as a mechanical engineer in the mid-1960s and went to work for Mobil/Standard Oil, which financed the doctorate studies that made him the company’s first oceanographer. Years of traveling the world gave him an intimate knowledge of how ocean movements affect oil rigs, but he grew increasingly fascinated by sea currents and eddies and began to focus on beaches, more specifically on debris deposited there. An epiphany came in May 1990 when a Pacific storm knocked five containers filled with thousands of athletic shoes off a cargo vessel. Nearly a year later, the shoes began washing up along the West coast of North America. With the help of a surprisingly large and cooperative fraternity of beachcombers, Ebbesmeyer tracked the progress of the shoes up and down the coast and as far as Hawaii, producing a groundbreaking study of ocean currents. With the help of maritime and environmental journalist Scigliano (Michelangelo’s Mountain: The Quest for Perfection in the Marble Quarries of Carrara, 2005, etc.), Ebbesmeyer spins a fascinating tale. Even readers with little interest in ocean science will be riveted by the author’s chronicle of the epic travels of oceanic trash; the entertaining explanations of how floating debris guided Christopher Columbus and the Vikings to safe harbors; the horrific stories of men adrift at sea; how flotsam may have triggered the origin of life; and frighteningly, the warnings of the threat that an increasing avalanche of plastic waste poses to the oceans.

A captivating account of the man who turned beachcombing into a science.

Pub Date: April 1, 2009

ISBN: 978-0-06-155841-2

Page Count: 304

Publisher: Smithsonian/Collins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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