Using lurid accounts and photos of the day, Gathje's strong debut brings to garish life a crime that captured New York City's attention in 1937. A nudie model, her mother, and their English boarder were found brutally murdered in their midtown Manhattan apartment on Easter Sunday, sending the city's tabloids into a frenzy of sleazy reportage. Stephen Butter—Gathje's uncle—drunkenly escorted the lovely 20-year-old Ronnie Gedeon home after a night on the town and was the last to see her alive. He was soon replaced as chief suspect by Ronnie's estranged father, Joseph, an upholsterer with a passion for bowling and for girlie magazines (the press, which ran dozens of Ronnie's ``art'' photos, hinted that his daughter's was among his bedside pinups). Joseph, who didn't appear overly bereaved at the loss of wife and child, blurted something about being a ``naturalist'' with ``seven lives'' and was beaten up during police questioning. He decided to sell his story to the press. Other suspects and characters included a boyfriend who sold his story to the News for $25; an itinerant sculptor and former boarder at the Gedeons'; a mental patient who went to the press with a diary and ``dangerous knowledge'' about the murders; Ethel Kudner, Ronnie's sister, who, as a secretary at Vanity Fair, provided Ronnie with ``modeling'' contacts. She sold her version of events to the Daily Mirror for $500. Walter Winchell tried to connect Joseph to the Lindbergh kidnapping; Ed Sullivan bought nude photos of Ronnie ``from a peddlar in Times Square''; and rival columnists Dorothy Kilgallen and Adela Rogers St. John weighed in with inanities of their own. As Gathje so marvelously shows, the sensationalist press of the 1930s had a lot in common with the trashy TV ``journalism'' of today. Gathje's unobtrusive writing is consciously set just a notch or two above the tabloid style, making it read like a mystery and a saucy tour guide of preWW II New York. (Illustrations, not seen)

Pub Date: Feb. 26, 1995

ISBN: 1-55611-428-1

Page Count: 208

Publisher: Donald Fine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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