Heartbreaking and hilarious.
In Johnson’s novel, a brilliant physicist tries to build a life after narrowly surviving a childhood filled with reanimated dinosaurs, runaway aliens, and mutated Mexican beaded lizards.
Addressing an unidentified listener, John Chant recounts the wonder and heartbreak he experienced growing up as the child of parents Alan and Ann, two extraordinarily brilliant but emotionally unavailable scientists permanently at war with one another. It’s impossible to accurately convey the off-the-wall lunacy comprising the first act, but suffice it to say that it chronicles young John’s many adventures before the irrevocable rift between his parents leads to the ultimate dissolution of the family. (It’s clear that John’s eventful childhood has left an indelible mark on his psyche, and he wonders if he will forever be an outsider and alone.) That the author is able to follow all this up with even more absurdist insanity in the ensuing acts as John kicks off his teaching career at a university “College of Inhumanities” testifies to Johnson’s expansive storytelling prowess. Somehow, seemingly disparate story elements (like stolen “probability pumps” and the sullen kid John befriends in fifth grade) all weave together seamlessly in an unforced and pleasing fashion. This fantastical “memoir” following protagonist John’s attempts to navigate academic life (“‘Never fear blood’ was in fact the school sports motto”) after growing up a curious kid in an even curiouser family is a true work of literary alchemy. Packed with deep pathos and unrelenting dark humor, the novel delves deeply into questions about the true nature of love in all its mysterious—and quite possibly mystical—components. One of the most moving episodes in the story occurs when John and Ann speak for one last time at the latter’s gravesite—Ann’s confession to her heartbroken son is simple, concise and absolutely devastating, and the emotions it stirs feel fully earned and organic. By contrast, one of the funniest episodes happens when Dean Pancake—John Chant’s longtime simian nemesis—meets his ultimate fate. Some might find the humor morbid, and maybe even cruel; readers on Johnson’s wavelength will be too busy guffawing and welcoming the laughter.
Heartbreaking and hilarious.Pub Date: Sept. 24, 2024
ISBN: 9798991428422
Page Count: 348
Publisher: Baryon Dreams Press
Review Posted Online: Oct. 31, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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