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DEAD RIVER

Not the refreshing plunge it would like to be.

While most people who visit the Dead River hear the white noise of rushing water, 17-year-old Kiandra Levesque hears the voices of people the river has claimed.

She’s been kept away from water ever since her mother committed suicide by walking into the Delaware River 10 years earlier. Angry at this abandonment, she wants to prove to herself that she has left her mother behind, so she sneaks away with her boyfriend for a camping and rafting trip in rural Maine. When she encounters the spirit of a boy killed in the 1930s, Kia learns that she has magical powers and that she might be able to see her mother again—but that she must cross the river from life to death to do so. Balog starts her story in media res, allowing narrator Kiandra to introduce herself slowly, by revealing her past. There’s a trick to keeping the narrator mostly unnamed and identified only by fears for the first several pages, and unfortunately, the author doesn’t quite carry it off. Despite her heavy and often articulated misery, Kiandra comes across as a shallow character: clear, fast-moving and trickling downstream before making an impact. The inevitable love triangle feels forced, and the resolution stretches the bounds of the narrative rules, but at least it assures there’s no loose threads for a sequel. The secondary characters are oxbow lakes, extraneous pieces cut off from the main flow and leading nowhere.

Not the refreshing plunge it would like to be. (Paranormal thriller. 12 & up)

Pub Date: April 9, 2013

ISBN: 978-0-385-74158-3

Page Count: 256

Publisher: Delacorte

Review Posted Online: Feb. 17, 2013

Kirkus Reviews Issue: March 1, 2013

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THE CHANGING MAN

A descriptive and atmospheric paranormal social thriller that could be a bit tighter.

After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.

Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.

A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)

Pub Date: Sept. 26, 2023

ISBN: 9781250868138

Page Count: 384

Publisher: Feiwel & Friends

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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DON'T LET THE FOREST IN

Lush, angsty, queer horror.

When the monsters they imagine come to life, two boys fight for their lives—and each other.

Andrew Perrault, who’s from Australia, writes beautiful, macabre fairy tales. His roommate at his American boarding school, Wickwood Academy, is talented artist Thomas Rye, who brings his stories to vivid life in paint and charcoal. Andrew’s twin sister, Dove, is all but ignoring him, so he has plenty of time to focus on Thomas’ increasingly odd behavior. Thomas’ parents disappeared just before the new school year started, and Andrew noticed blood on his roommate’s sleeve on their first day back. When he follows Thomas into the forest one night, Andrew discovers him fighting one of the monsters that Thomas has drawn from these stories. The boys soon find themselves coping with vicious bullies by day and fighting monsters by night. At the same time, Andrew struggles to reconcile his feelings for Thomas with his growing awareness of his own asexuality. But when the sinister Antler King breaches Wickwood’s walls, Andrew realizes that he and Thomas may not survive their own creations. This novel, written in rich, extravagant prose, features frank portrayals of disordered eating, self-harm, bullying, and mental illness. Andrew grapples realistically with his sexual identity, and the story has ample genuinely creepy moments with the monsters. Andrew, Thomas, and Dove are white.

Lush, angsty, queer horror. (content warning) (Horror. 14-18)

Pub Date: Oct. 29, 2024

ISBN: 9781250895660

Page Count: 336

Publisher: Feiwel & Friends

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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