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FIRE IN THE BELLY

THE LIFE AND TIMES OF DAVID WOJNAROWICZ

An ambitious bio that may seem overlong to casual readers but will appeal to Wojnarowicz’s most fervent fans.

Former Village Voice arts reporter and columnist Carr (Our Town: A Heartland Lynching, A Haunted Town, and the Hidden History of White America, 2006, etc.) examines the life and art of provocative artist David Wojnarowicz (1954–1992), a star of the downtown New York art scene of the 1980s.

The author, who covered the arts during Wojnarowicz’s heyday and knew him personally, delivers the definitive biography of this complicated artist, from his troubled childhood to his untimely death from AIDS-related complications at the age of 37. After years of abuse as a child, he left home while still a teenager; for a time, he was homeless and prostituted himself to men in Times Square. Soon he became a Beat-influenced writer and quickly moved into visual arts, including painting, sculpture and photography, as part of an East Village–based art scene that included such notable figures as Keith Haring, performance artist Karen Finley and underground filmmaker Richard Kern. His controversial art, which portrayed such disturbing images as burning children, skeletons and disembodied heads, ambitiously addressed what he termed “the wall of illusion surrounding society and its structures.” His work took a more activist turn after the 1987 AIDS-related death of his close friend, photographer Peter Hujar, and his own AIDS diagnosis the following year. Carr conducted countless interviews with the artist’s surviving friends, family and acquaintances, and she provides a thoroughly researched picture of his life and times. While the author offers some intriguing insights about Wojnarowicz’s inner demons and his devotion to his art, the narrative is repetitive in parts—particularly when Carr relies on his journals, in which he worries constantly about loneliness and his difficulties revealing himself to others.

An ambitious bio that may seem overlong to casual readers but will appeal to Wojnarowicz’s most fervent fans.

Pub Date: July 17, 2012

ISBN: 978-1-59691-533-6

Page Count: 640

Publisher: Bloomsbury

Review Posted Online: May 19, 2012

Kirkus Reviews Issue: June 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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