A thrilling alternative history that sparkles with wit and charm.

MY CALAMITY JANE

A posse of werewolf hunters disguised as a traveling troupe of sharpshooters roam the Old West in search of a particularly vicious werewolf known as the Alpha.

Under the watchful eyes of the paternal Wild Bill Hickok, protagonists Calamity Jane, Frank Butler, and Annie Oakley track the Alpha, all while navigating budding romances and family quarrels. While each teen is dedicated to the collective, they are each driven by their own motivations. Frank, for example, hopes to one day give up werewolf hunting and be a full-time entertainer. Annie—who must convince the group to hire her as a sharpshooter in the show—flees a family that wants to force her into marriage. All Jane wants is to settle down on a plot of land somewhere, far away from prying eyes. As the plot unfolds, readers learn each of the characters’ origin stories—including their deepest secrets. The book’s thrilling plot is driven by a brilliantly clever, collective narratorial voice that frequently intercedes with historical tidbits, witty asides, and political statements ranging from critiquing America’s lack of gun control laws to the shameful genocide and violent displacement of Native Americans. While most of the characters are white, the story does include two Lakota characters and a protagonist who comes out as queer. Full of twists, turns, and laugh-out-loud humor, this tongue-in-cheek feminist alternative history is impossible to put down.

A thrilling alternative history that sparkles with wit and charm. (further reading) (Fantasy. 13-18)

Pub Date: June 2, 2020

ISBN: 978-0-06-265281-2

Page Count: 544

Publisher: HarperTeen

Review Posted Online: April 5, 2020

Kirkus Reviews Issue: May 1, 2020

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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A lush and darkly twisted modern fairy tale.

HOUSE OF HOLLOW

Ten years ago, the three Hollow sisters disappeared from an Edinburgh street while on holiday. A month later, they came back.

When Iris, Vivi, and Grey returned, they couldn’t remember anything of their ordeal. Their dark hair turned white, and their blue eyes became black. They sported identical hook-shaped scars on their necks. Despite their altered appearances, their parents were elated to return home to London with them. However, their father soon began to believe that they were not really his daughters, a conviction that led to his suicide. Since then, the story of now 17-year-old Iris and her older sisters has been like catnip to online sleuths, and their ethereal beauty and uncanny ability to bend people to their wills and intoxicate them with dangerous desire add to their mystique. When Grey, now an internationally famous fashion designer and model, goes missing, Iris and Vivi, with help from Grey’s Korean British boyfriend, Tyler, set out to find her and the truth behind their disappearance. Their search takes on a new urgency when they find a decomposing body blooming with white flowers in Grey’s apartment and they are pursued by a murderous man wearing a horned bull’s skull mask. Iris’ smart and assured narration easily carries a fast-paced story entwining themes of grief and loss with elements of folklore and some very inventive body horror. The pervasive feeling of dread builds to a shocking twist.

A lush and darkly twisted modern fairy tale. (Horror. 13-18)

Pub Date: April 6, 2021

ISBN: 978-0-593-11034-8

Page Count: 304

Publisher: Putnam

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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