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FIREFLY SEASON

A glowing tribute to family across distance and lineage.

A Native child navigates familial joys and heartaches.

Each year, 7-year-old Piper and her cousins spend a month on the border of the Cherokee and Muscogee nations, visiting family on both tribal lands. As they revel in summer fun, they deepen their connection to their Indigenous heritage by fishing, eating grape dumplings, listening to the stories of their elders, and learning to speak Mvskoke. On hot nights, older cousins teach younger ones the word for firefly: koleppa. Back home in Kansas City, Piper finds herself missing her cousins, but she becomes fast friends with a new neighbor, 4-year-old Sumi, who is brown-skinned and of Indian descent. The two bond over the course of a year, and when Piper learns that she and her family are moving to Topeka, she protests, “I want to stay here, next door to Sumi. She’s my family, too.” Grief eventually gives way to joy as Sumi accompanies Piper on her summer visit; Piper, in turn, travels with Sumi and her family to India. Focusing on seemingly small yet meaningful moments, Gardiner’s (Nipmuck) tender, earth-toned gouache and colored pencil images evoke the poignance of interconnection, both its delights and sorrows. The visuals complement Smith’s (Muscogee) quiet narrative, combining for a lovely tale that honors Native heritage and the beauty of both blood and chosen families.

A glowing tribute to family across distance and lineage. (author’s note) (Picture book. 4-8)

Pub Date: May 13, 2025

ISBN: 9780063274440

Page Count: 40

Publisher: Heartdrum

Review Posted Online: April 4, 2025

Kirkus Reviews Issue: May 1, 2025

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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