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JINGLE DANCER

A contemporary Native American girl follows in her grandmother’s footsteps (literally and figuratively), dancing the traditional jingle dance at the powwow. Jenna, a member of the Creek Nation in Oklahoma, dreams of dancing the jingle dance with the women of her tribe and is delighted when her grandmother tells her that she can dance with the other girls at the next powwow. But there is one problem—there won’t be enough time to order the materials to make the four rows of jingles that are attached to the dress. If Jenna wants to hear the tink, tink, tink sound that the tin jingles make, she’ll have to figure out a way to get the jingles on her own. Fortunately, Jenna is resourceful and knows just what to do. She visits great-aunt Sis, her friend Mrs. Scott, and cousin Elizabeth and borrows a row of jingles from each of them. (Jenna can only borrow one row of jingles apiece—otherwise each dress will lose its “voice.”) While the problem of finding the jingles on her own doesn’t seem challenging enough for the approbation Jenna receives at the end of the story for her resourcefulness, children will enjoy watching her figure out the solution to her problem. The watercolor illustrations clearly and realistically depict what is happening in the story. The layout of the book is straightforward—mostly double-page spreads that extend all the way to the edges of the paper. Jenna lives in what looks like a nice suburban house, the others seem solidly middle-class, and cousin Elizabeth is a lawyer. The author is deliberately showing us, it would seem, that all Native Americans are not poor or live on rundown reservations. A useful portrayal of an important cultural event in a Creek girl’s year. (author’s note, glossary) (Picture book. 5-9)

Pub Date: April 30, 2000

ISBN: 0-688-16241-X

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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