Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

VOWS

A rare and unforgettable look inside a cloistered religious culture shrouded in obscurity.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Two young women struggle with their faith—and the pull of the world—in Linkas’ novel.

Welcome to the Academy of the Sorrows of Mary, a convent-cum-prep school run by French Canadian Jesuit nuns who could teach the Marines a thing or two about discipline. The two main characters are Sister Philippe de Marie, a postulant in the order, and Janey Chadderton, a student in the attached prep school. We meet Sister Philippe as Janey’s new English teacher who ditches Tennyson in favor of Gerard Manley Hopkins (yes, this is daring stuff, and the girls revel in it). The story takes place over Janey’s senior year, and the titular vows provide the tension. Sister Philippe is expected to be taking final vows at year’s end. The students are not committed to the religious life (though it is not discouraged), but they are expected to take “Perpetual Vows” at graduation, meaning that whatever the rest of their lives hold, they will remain committed to Christ and the Church. Sister Philippe and Janey fall into something very much like love, with all the Sturm und Drang that goes with it. Janey sees things that she shouldn’t, which really tests her faith. Clearly Janey is based on the author, who went to just such a prep school, and Sister Philippe is likely based upon her older sister, Claudia, the dedicatee. Linkas is a published poet, and her writing reflects this poetic sensibility. After a toboggan flips over, Sister Jean, badly hurt, is described as “a ball of nun” in the snow. Early on, the nuns are described as “like a swarm of insects attacking the arbor, clipping at pride, curbing friendships,” and they “revered the mind, worshiped the soul, ignored the body.” And yet, despite the pious subject matter, this is a warmhearted and at times wondrously funny book.

A rare and unforgettable look inside a cloistered religious culture shrouded in obscurity.

Pub Date: July 18, 2024

ISBN: 9798888701980

Page Count: 289

Publisher: En Route Books & Media

Review Posted Online: Aug. 2, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 239


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 239


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Next book

PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

Close Quickview